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Author: Bartleby

Objectively Cute Baby Onesies

Objectively Cute Baby Onesies

Citizens of the world past, present, and future:

This is an advertisement for Wandering Albatross Press’s newest product: A tiny little onepiece for very young children (babies, really) with the words “Objectively Cute” emblazoned on the front in what I can only suppose is a basically safe acrylic-type print.

A white onepiece for infants, with "Objectively Cute" in black block letters.
Click along to purchase this item of clothing for $18

$18 for a very small stretch of cotton welded into a shirt with leg holes and a button-up butt-wrap. Outrageous! But then write “Objectively Cute” on the garment. So! Now, we’ve got a novelty item; now we’ve got an idea that you can buy and so to some degree join, vote for, collaborate with, take credit for. Now we’ve got a conversation starter.

Now we’ve got something for Soren and Regine to exchange pleasantries over as they meet on cool cobblestones beneath the thin northern sun.

“Oh, yes! Clever! And there’s perhaps something to it: by the inward appropriation of the delightful fire your child lights in your heart, your subjective understanding grows in its relationship to the objective reality.”

“Yeah, I know–but it’s also kind of funny, right? How everyone says that of course they’re partial to their children and know that that colors their views and that really babies in general are delightful–but really, let the friends go on their way, leaving a mother and father to confer alone and quick as a wink its: ‘of course, our little one really is the most attractive of the bunch!’”

“Oh, yes, quite! And yet the tender glowing love that a parent has for a child, and the open-hearted love beaming out of infants even more so–these spiritual support-beams of the phenomenon of infantile cuteness are solemn and profound hints to the nature of divine love; and so this little onepiece circles the mind round and round the enchanting paradox that for mortal minds and hearts, the objective can be gained only through the subjective–we cannot mentally or emotionally grasp the nature of the one true objective reality–the divinity of God and how that divinity relates to Gods’ creation–, but through the inward process of experiencing, accepting, willing, and celebrating the love that radiates into and out of our souls, we inwardly appropriate a subjective knowledge of the divine and its ties to this world; that is to say: we grow in subjective knowledge of the objective reality.”

“Oh, yes, certainly–the T-shirt reminds us that though love is a subjective experience, it is also our only clear path to experiencing the one objective reality–the Love of God in, through, and as the world. We thought it was an interesting and a fun little garment–got it from Wandering Albatross Press, are you familiar with them?”

“No, no, I don’t believe. Do they publish many theological books? … But so wonderful to see you! Such a blessing to find you so well!”

“Yes, you too! It really is!”

What, people, do you really want? To halt capitalism and materialism and have everyone grow their own food and knit their own outfits?

Allow me to suggest: you want what you already have: a reality made entirely out of Pure Love, and a divine light working its way through all the forms, kindly and unstoppably shepherding us all home: that is to say into the path of wisdom, of a knowing goodness. And so, by all means: let’s get it together–admit we are all of one cloth and all in this together and that the direction towards better and better understanding and following love is the only path that offers any hope for any of us; by all means!, by all means, let’s quit pretending we are different from the people we think we disagree with and work together before it is too late (to keep from destroying this world and this particular adventure–not “too late” in an eternal sense; but if you like me think there are still neat things that could be done as humans, then you have a “too late” to worry about)!, certainly–by all means. But beyond that, what can we say except that this Wandering Albatross Press company is–given its setting–probably an OK thought: we’ll sell the same novelty type products you buy anyway, the ones that tickle your fancy and make a nice gift in a world where cute ideas are appreciated and gift-giving generally involves converting raw materials into finished products that are sold, admired, used for a while, and then discarded; but we’ll try to push further towards the art end of novelty gifts and wrap our gifts within more art and thought, letting publishing bleed more into novelty knick-knack capitalism, and vice-versa. Why not? Probably won’t make things worse, and might, by encouraging reflection in both us bold capitalist entrepreneurs and you poor sheep consumers (titles which of course easily switch places–at least in one’s imagination; which is to some degree a true and inspiring tale of equality and to some degree fool’s gold), do some good. So we throw our thoughts on your table.

Would you like to buy this product? Kind of charming. Might make a good gift.

This advertisement released May 25, 2015, a Monday, a Memorial Day. On Memorial Day we remember all the generally-20ish young people that have fought and often died because the leaders of the country rightly or wrongly (as the case may be; in some cases perhaps “rightly or wrongly” is an oversimplification–I don’t know) decided to involve them in a bloody conflict. Bloody conflicts are nothing new and patriotism has always had good and bad uses. Sometimes people talk about how so and so’s sacrifice shouldn’t be allowed to be in vain. What should those of us lucky enough to not find ourselves in the grind that makes humans into pulp do with our still-animated forms? Besides, I mean, have barbecues and release novelty ads for novelty products? We should at the very least avoid cynicism: our government isn’t perfect, but what that means is that we need to try to make it better, not sit around ego-tripping on the hopeless evil of politicians and/or “the other side”. How does a nation improve itself? Well, the first step is for the people living in that collective to admit that we are all human-beings. If you are alive in a place where the voice of the people has not been completely and irrevocably squelched, then you can help save your country by merely growing in wisdom and kindness–how much more pleasant that is than the sudden epiphany of the bullet!

We’ll close this ad with a poem from Herman Melville:

Shiloh: A Requiem (April 1862)
By Herman Melville
Skimming lightly, wheeling still,
The swallows fly low
Over the field in clouded days,
The forest-field of Shiloh—
Over the field where April rain
Solaced the parched ones stretched in pain
Through the pause of night
That followed the Sunday fight
Around the church of Shiloh—
The church so lone, the log-built one,
That echoed to many a parting groan
And natural prayer
Of dying foemen mingled there—
Foemen at morn, but friends at eve—
Fame or country least their care:
(What like a bullet can undeceive!)
But now they lie low,
While over them the swallows skim,
And all is hushed at Shiloh.

“Villanelle For Our Time” Assignment

“Villanelle For Our Time” Assignment

[Bartleby’s Poetry Corner]

Assignment: meditate upon the FR Scott poem Villanelle for our Time, and then write a limerick, a sonnet, and a villanelle.

Limerick

That brotherhood that we had sought
with darklong, with smooth swampish thought
While we skiffed in pole-plops between
twisted trunks of swollen chords
Flakey bark ‘neath lichen hoards:
We learnt slowly to be less mean

Villanelle

Makita’s springing spine will throw
Her churning collie/beagle paws
Across the stretching sandy flow.

She loves to thunder to and fro
While wind and wave turn sound to gauze
Makita’s sprightly spine must throw

Her careening leaning tongue-out glow,
Her frolic wide-eyed spirit’s awes
Across a cool-earth sandy flow

What does carefree joy only know?
In service a wise ancient cause,
Her spine will oscillate to throw

A short-haired, short-legged, short-lived low,
Oft lonely mix of heart and maw–
All spaded, and with ‘naught to show–
Across the sands, within the flow.

Sonnet

At carnival, bright colored lights afloat,
crepe lanterns slide quick across
dark waters flat and quiet in the choke
of smooth old stone walls round our village floss.

At carnival, in winter cool and calm,
in mild clime, in peaceful, gentle time
the Good is easy like an open palm
and kindness forms a pleasant, comfy slime.

We nestle down, we ooze and laugh astream–
here sin has lost its sense and Goodness reigns
without debate or confusion between
the people meeting soft-faced on the main.

What must we gleam, what must we gather
while plucking festive evening flowers?

Copyright AMW

[Bartleby’s Poetry Corner]

What is Love? #7

What is Love? #7

What?
What is Love?
Who?
Who are we?
When?
When do we begin?
How?
How can we sing
Together?
Aren’t we?
Aren’t we all bound
By ties of dancing light
In this fantasy
Built for practice,
A training ground
Where hearts:
They become real.

What is Love?
Who are we?
How shall we
Live together
happily?
I’m wondering
I’m fading.

…..

What is Love?
Long time gone, long time lost.
Long legs tossing beast across
Cityscapes, meadowlands
Seascapades, desert dunes.
Giant drumleg thighs churn,
Throwing eggy body far
Spinning razor fingertips
Scuttle library dome
Blender rolling park:
Tree limbs split human limbs.
All creation buckle-bends
Time and space and reason too.

….

What is Love?

Can you tell me, or do you know?
What is Love, and where’s it go
With arm tense and heart closed,
When famine squeezes soul.

What is Love?

Can you show me, or do you care
When I falter, stop and stare
At the carcass on the road
Shrivelled small, dried up toad.

What is Love?

Can you help me, or do you hear
That I’m screaming shook in fear
Even though the sunshine lights
Redbrick row and seagull flight.

What is Love, anyway?

What is Love? #6

What is Love? #6

Living inside you, burrowing through
Your unfolding maze.
Living for you, wrestling with you
Held in your gaze.

Exhausted. Tired.
Falling. In my bones.
Beaten. Sleeping.
Caught out and done.

Hand me down, where is love,
What is anything to touch,
Where does the dying come from?
So very tired, like a slashed girl
Bleeding away on the side
Of cobbled stone way

What is Love? What is Real?
Where can I be? Who can I hear?
I want no other, only the Lover
Who never backs down.
Some kind of Goodness
Where is the Godspark
I’m all alone

Lift up my hands now
Heaven just stands by
When will I know by
How will I know by
Anyhow?

I want no other, no kinder lover,
Only the seashore rolling me home.
How strange the salt spray
How cold the sand today
Corpse at the beachhead
Tin can helmet
Filling with water
Tumbling on smooth stones
Let him alone.
Someone will miss him
Someone will have to
Marry another.
Bury her brother
Cry on about a son.
Who is the reason?
What is the caesar
Guiding this caravan?

What is Love?
What is Love?
Is there a God still?
Is there a Truth yet?
What should we ask for
Here on our own?

AMW

What is Love? #5

What is Love? #5

What is Love?
Everyday, blood whisking through
Artery tubes and veins too
Keeps us pumping, thumping strong
Keeps us jumping, right or wrong.

What is Love?
The monster it hurts us,
Hump-backed old sack
Teeth green sharp mismatched.
The monster it lumps out,
Yellow squid eyes searching.
Long scaled fingers lurching
Down to us, to undo us again.

What is Love?
What will sustain us?
What could contain our
Fiery fever, deep-seated reason,
Heart on a table, gut in hand.
So warm, so refreshing
surely progressing,
Making us strong.

Love does it suffer?
Love does it wallow?
Love is it hollow
Like a snug valley
Where we belong?
Love is it fiercesome?
Love is it boisterous?
Can it be wrong?

Come on and hold us,
Come here and show us
What we’ve come from.

AMW

Jabberwalk / What is Love? #4

Jabberwalk / What is Love? #4

[Chapters of Diary of an Adamant Seducer]

[Sung to “What is Love?” by Haddaway]

Stumble on, something fierce.
Come along, take a talk.
Whistle low, cut the sluice
Out it flows, splashing off
Yon flat-topped stone.

Give us fleshtufts that last.
Gift us heartclops that hold
Tight, cinching down sure.
Move the frenzy, shake it twice.
No one sees; it’s the dark
Where we shake it nice.
No one cares anyway
Anyhow.

The hairy brute with jagged jaw
Of overbiting yeller fangs,
Shoulders like tombstones,
Fingers concrete blocks.
Lurching crooked.
Sewn up sloppy.
Poor old fiend.
Poor thing.

What is right?
What is wrong?
How to know?
What to do?
Where’s the source?
What’s the twist?

Row a sinner through the glands,
Hoist a sinner up the gallows.
Guide a sinner to the mists
Where chaos splits and Jesus sits,
Clear in mind, steady hand
Flat-palmed snaking back and fore
‘Cross radiant haloed whitebread face.

Shape it, Jesus!
Show it, Jesus!
Flow rivers of passion and ideation,
Ease sumptuous human rivers
Easy, gentle, towards the Good.
Work it, Jesus!
Ah, ah, ah, we came down with the punched-up rowboat rocking, sloshing, sinking, leaving us to float like starved orphans, like victims of another unjust famine, like small skeletons of taut flesh and bucked-out teeth.

It is OK now.
Now we’re baptized.
Now we’re friends.
It’s not weird anymore, not awkward or anything.
It’s cool now.
Basically; pretty much cool.
I’d say; I mean, you’d have to ask

AMW/BW

[Chapters of Diary of an Adamant Seducer]

What is Love? #3

What is Love? #3

I live within the bosom
Of a squirrel in the tree
I watch from inside a hole
In the hickory barks
Lining asphalt street

Can you hear me?
I am talking to you.
It is cold in this park
In a red windjacket
Soft Hair finger-
blown by a wet wind

Don’t you forget me
Don’t you leave me
Here alone in the rain.
I know you won’t
I know you can’t
I know your name.

Pretty flowers plucked
Petals tossed
White slippers
On glassy rolling creek
Baby don’t worry
Don’t scurry away

AMW/BW

What is Love? #2

What is Love? #2

All along, through the fire, long fingers blazing. Calls me out, cuts me down, turns me round. Who will stay.

It’s OK. Anyway.

I love you like when we’re just kids
running atop the badlands,
along the borders,
across the moor.

Stone walls picked from the fields.
Tall grasses fold over.
Dew-wet leather sneaks.
Pretty girl in stripes-on-white
Cotton dress.
Jack-knifed at the knee,
To while placid
By the stream.
Let her be,
Let it go,
As if!
With straw in mouth
Wide-brimmed hat
Shirtless tan
Denim overs overall
A handful of dandelions
Hang their heads
Out the huge
Iron-shaped
Central pouch.

AMW/BW

What is Love #1

What is Love #1

What is love?
What kind of joy
I’m searching at
What kindness will
bring me there?

Who is around,
What is within,
The angels they
Cannot say.
A cold fogs in,
settles down
Mists on out.

Sunlight shouts
Through our haze,
beach burns clear
Water sparkles
impossibly,
lapping happy
Skipping free
from side to side.

I’m just a man,
I’m but a boy,
I’d be a friend
I ask your heart:
speak now with me,
Sing for us please
Tell us all please
Where we could stay.

We cry like gulls
Adrift on a draft
Held up aloft
Caught in the sky
Waiting to see
What is right
For you and me.

AMW/BW

King Lear With Less Error: Act 1, Scene 1

King Lear With Less Error: Act 1, Scene 1

SCENE I. King Lear’s palace.

Sennet. Enter KENT, KING LEAR, CORNWALL, ALBANY, GONERIL, REGAN, CORDELIA, and Attendants

KING LEAR
Attend the lords of France and Burgundy, Gloucester.

GLOUCESTER
I shall, my liege.
Exeunt GLOUCESTER and EDMUND

KING LEAR
Meantime we shall express our darker purpose.
Give me the map there. Know that we have divided
In three our kingdom: and ’tis our fast intent
To shake all cares and business from our age;
Conferring them on younger strengths, while we
Unburthen’d crawl toward death. Our son of Cornwall,
And you, our no less loving son of Albany,
We have this hour a constant will to publish
Our daughters’ several dowers, that future strife
May be prevented now. The princes, France and Burgundy,
Great rivals in our youngest daughter’s love,
Long in our court have made their amorous sojourn,
And here are to be answer’d. Tell me, my daughters,–
Since now we will divest us both of rule,
Interest of territory, cares of state,–
Which of you shall we say doth love us most?
That we our largest bounty may extend
Where nature doth with merit challenge. Goneril,
Our eldest-born, speak first.

GONERIL
Sir, I love you more than words can wield the matter;
Dearer than eye-sight, space, and liberty;
Beyond what can be valued, rich or rare;
No less than life, with grace, health, beauty, honour;
As much as child e’er loved, or father found;
A love that makes breath poor, and speech unable;
Beyond all manner of so much I love you.

CORDELIA
[Aside] What shall Cordelia do?
Love, and be silent.

LEAR
Of all these bounds, even from this line to this,
With shadowy forests and with champains rich’d,
With plenteous rivers and wide-skirted meads,
We make thee lady: to thine and Albany’s issue
Be this perpetual. What says our second daughter,
Our dearest Regan, wife to Cornwall? Speak.

REGAN
Sir, I am made
Of the self-same metal that my sister is,
And prize me at her worth. In my true heart
I find she names my very deed of love;
Only she comes too short: that I profess
Myself an enemy to all other joys,
Which the most precious square of sense possesses;
And find I am alone felicitate
In your dear highness’ love.

CORDELIA
[Aside] Then poor Cordelia!
And yet not so; since, I am sure, my love’s
More richer than my tongue.

KING LEAR
To thee and thine hereditary ever
Remain this ample third of our fair kingdom;
No less in space, validity, and pleasure,
Than that conferr’d on Goneril. Now, our joy,
Although the last, not least; to whose young love
The vines of France and milk of Burgundy
Strive to be interess’d; what can you say to draw
A third more opulent than your sisters? Speak.

CORDELIA
Nothing, my lord.

KING LEAR
Nothing!

CORDELIA
Nothing.

KING LEAR
Nothing will come of nothing: speak again.

CORDELIA
Unhappy that I am, I cannot heave
My heart into my mouth: I love your majesty
According to my bond; nor more nor less.

KING LEAR
How, how, Cordelia! mend your speech a little,
Lest it may mar your fortunes.

CORDELIA
Good my lord,
You have begot me, bred me, loved me: I
Return those duties back as are right fit,
Obey you, love you, and most honour you.
Why have my sisters husbands, if they say
They love you all? Haply, when I shall wed,
That lord whose hand must take my plight shall carry
Half my love with him, half my care and duty:
Sure, I shall never marry like my sisters,
To love my father all.

KING LEAR
But goes thy heart with this?

CORDELIA
Ay, good my lord.

KING LEAR
So young, and so untender?

CORDELIA
So young, my lord, and true.

KING LEAR
Let it be so; thy truth, then, be thy dower:
For, by the sacred radiance of the sun,
The mysteries of Hecate, and the night;
By all the operation of the orbs
From whom we do exist, and cease to be;
Here I disclaim all my paternal care,
Propinquity and property of blood,
And as a stranger to my heart and me
Hold thee, from this, for ever. The barbarous Scythian,
Or he that makes his generation messes
To gorge his appetite, shall to my bosom
Be as well neighbour’d, pitied, and relieved,
As thou my sometime daughter.

KENT
Good my liege,–

KING LEAR
Peace, Kent!
Come not between the dragon and his wrath.
I loved her most, and thought to set my rest
On her kind nursery. Hence, and avoid my sight!
So be my grave my peace, as here I give
Her father’s heart from her! Call France; who stirs?
Call Burgundy. Cornwall and Albany,
With my two daughters’ dowers digest this third:
Let pride, which she calls plainness, marry her.
I do invest you jointly with my power,
Pre-eminence, and all the large effects
That troop with majesty. Ourself, by monthly course,
With reservation of an hundred knights,
By you to be sustain’d, shall our abode
Make with you by due turns. Only we still retain
The name, and all the additions to a king;
The sway, revenue, execution of the rest,
Beloved sons, be yours: which to confirm,
This coronet part betwixt you.
Giving the crown

KENT
Royal Lear,
Whom I have ever honour’d as my king,
Loved as my father, as my master follow’d,
As my great patron thought on in my prayers,–

KING LEAR
The bow is bent and drawn, make from the shaft.

KENT
Let it fall rather, though the fork invade
The region of my heart: be Kent unmannerly,
When Lear is mad. What wilt thou do, old man?
Think’st thou that duty shall have dread to speak,
When power to flattery bows? To plainness honour’s bound,
When majesty stoops to folly. Reverse thy doom;
And, in thy best consideration, cheque
This hideous rashness: answer my life my judgment,
Thy youngest daughter does not love thee least;
Nor are those empty-hearted whose low sound
Reverbs no hollowness.

KING LEAR
Kent, on thy life, no more.

KENT
My life I never held but as a pawn
To wage against thy enemies; nor fear to lose it,
Thy safety being the motive.

KING LEAR
Out of my sight!

KENT
See better, Lear; and let me still remain
The true blank of thine eye.

KING LEAR
Now, by Apollo!
A strange thunderbolt
Begun where neck cleaves chest and feeling’s born,
catastrophe of wind, of slapping willow limbs,
a child grows beyond fond father’s failing reach.
Dear God, please let a little light yet fall
into this withered king, no longer the man
to shake and shape the world, but still too proud
To bow as world, yet youthful, laughs him out.
Does she not refute us all? That is good,
much better rebuked by earth than by sky,
much luckier the lesson in time
than learnt too late in dark eternity.

KENT
Now, by Apollo, dear king,
by friendship, by sunlight, clasp my hands in yours!
No sight so dear as joyful strength within
bright human eyes.

KING LEAR
Yes, Kent, ourr Kent, full faithful Kent—
What dizzy smash, strange fuzzy flutterings
converge from ev’ry vantage; close me in
and spin me down right round. I fear
a deep, a drowning eddy’s caught me fast.

KENT
Good lord, relieve thy feet their charge and loose
these royal robes. Do breathe but slow and count

Flourish. Re-enter GLOUCESTER, with KING OF FRANCE, BURGUNDY, and Attendants

GLOUCESTER
Here’s France and Burgundy, my noble lord.

KING LEAR
My lord, my lord of Burgundy. So glad.
We first address towards you, who with this king
Hath rivall’d for our daughter: what, in the least,
Will you require in present dower with her,
Or cease your quest of love?

BURGUNDY
Most royal majesty,
I crave no more than what your highness offer’d,
Nor will you tender less.

KING LEAR
Right noble Burgundy,
When she was dear to us, we did hold her so;
But now her price is fall’n. Sir, there she stands:
If aught within that little seeming substance,
Or all of it, with our displeasure pieced,
And nothing more, may fitly like your grace,
She’s there, and she is yours.

CORDELIA
Father!

KING LEAR
Daughter!
A bunny sole in foxing woods does well
to keep completely narrow, list’ning wide.
But Burgundy, we wait upon your voice.

BURGUNDY
I know no answer.

KING LEAR
Will you, with those infirmities she owes,
Unfriended, new-adopted to our hate,
Dower’d with our curse, and stranger’d with our oath,
Take her, or leave her?

BURGUNDY
Pardon me, royal sir;
Election makes not up on such conditions.

KING LEAR
Then leave her, sir; for, by the power that made me,
I tell you all her wealth.

To KING OF FRANCE

For you, great king,
I would not from your love make such a stray,
To match you where I hate; therefore beseech you
To avert your liking a more worthier way
Than on a wretch whom nature is ashamed
Almost to acknowledge hers.

KING OF FRANCE
This is most strange,
That she, that even but now was your best object,
The argument of your praise, balm of your age,
Most best, most dearest, should in this trice of time
Commit a thing so monstrous, to dismantle
So many folds of favour. Sure, her offence
Must be of such unnatural degree,
That monsters it, or your fore-vouch’d affection
Fall’n into taint: which to believe of her,
Must be a faith that reason without miracle
Could never plant in me.

KING OF FRANCE
My lord of Burgundy,
What say you to the lady? Love’s not love
When it is mingled with regards that stand
Aloof from the entire point. Will you have her?
She is herself a dowry.

BURGUNDY
Royal Lear,
Give but that portion which yourself proposed,
And here I take Cordelia by the hand,
Duchess of Burgundy.

KING LEAR
Nothing: I have sworn; I am firm.

BURGUNDY
I am sorry, then, you have so lost a father
That you must lose a husband.

CORDELIA
Peace be with Burgundy!
Since that respects of fortune are his love,
I shall not be his wife.

KING OF FRANCE
Fairest Cordelia, that art most rich, being poor;
Most choice, forsaken; and most loved, despised!
Thee and thy virtues here I seize upon:
Be it lawful I take up what’s cast away.
Gods, gods! ’tis strange that from their cold’st neglect
My love should kindle to inflamed respect.
Thy dowerless daughter, king, thrown to my chance,
Is queen of us, of ours, and our fair France:
Not all the dukes of waterish Burgundy
Can buy this unprized precious maid of me.
Bid them farewell, Cordelia, though unkind:
Thou losest here, a better where to find.

CORDELIA
Thank you, who’ve proved a friend when friendship lost
Her throne. I’ll love a man who’ll love me thus
so nakedly.

KING LEAR
Thou hast her, France: let her be thine; but we
must now confess a silliness, a jest
of sorts, but more a sorting machination
For finding truest heart and deepest love.
To thee and thine hereditary ever
Remain this amplest third of our fair kingdom.
Deserving France, you’ve won our hearts to yours.
Dissolve us this grand flow’ring foolery
whereby we sought and found your metal’s luster.

CORDELIA
Oh father! Madness may atimes succeed,
but ’tis a dange’rous, frightful, wicked game.
I beg thee cool thy pace!

KING LEAR
Lesson well learned and promise deep engraved.
We’ll fool no more with foolery!, ’tis sworn.
But yet answer, please, my new found France:
In times of joy, when households join in love,
how counsels then the strong and even hand
of wisdom?, Gift of Gods to mortal man,
who otherwise, un-ruddered, wanders ‘bout,
a ghost who floats on gusts of changing whim
most meaningless.
How France?
Declare, fresh baptized son, a pace that fits
our merriment.

FRANCE
A mind who’s left behind its hollow bleats
and random squeaks, a gaze thus delivered
and wholly–ah most holy!–overwhelmed
by wisdom deep and wide, will portion fair:
With sorrows pairing quiet calm solace,
but placing joy atop a mountaintop
so mirthy light might echo, might resound,
and overflow all once firm boundary.
In times of joy, when households join in love,
the wise will feast and frolic sagaciously

Flourish. Exeunt all

Copyright: Mostly William Shakespeare, but his claim’s turned to dust; the innovations (the deviations!) belong to Andy Watson, who, yet longing to live off art and thought, requests that his fellows and their governments respect his still quick claim.