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Something Deeperism — Hah!

Something Deeperism — Hah!

It started as a solution to the absurdity of radical skepticism: By accepting whatever notions were making him hold out for some perfect intellectual proof before accepting any doctrines, he was of course accepting the doctrines underlying the acceptance of those notions. The whole thing was just too ridiculous. We always accept some irreducibles: some unprovable basic assumptions about how we should think and act, and at least assuming that our inner directions towards “truer” and “better” are correct allows for thought that isn’t automatically self-defeating (we can’t help but assume those directions, so thought that tries to doubt them is self-refuting and amounts only to looking away from itself, not travelling with itself to its own conclusions, and generally pretending itself away). And it had to be further admitted that without accepting that inner sense that life is meaningful and kindness matters and people matter and that there’s a light within that matters and that tells our ideas and feelings all this (not perfectly, but in a poetry that we had no reason to suppose inadequate), we don’t really believe in any of our ideas or feelings. And so Something Deeperism took hold: it was the needed philosophical solution; and it allowed him to stop going in hopeless circles all day long; and it rebuffed not just radical skepticism, but also his long-time foe fundamentalism (because like radical skepticism, fundamentalism tried to get human thought to be literal at the price of letting ideas and feelings be informed by each individual’s deepest and widest aspect of thought).

But now look at him!

He is stuck with platitudes and with circling in la la land.

I want to go / man in rut / A pathetic freewrite

I want to go / man in rut / A pathetic freewrite

I want to go now.
I don’t know where.
Somewhere relaxing.
If you had money, not needing to work and yet enjoying a gourmet life–
That would be nice.
Then you’d wake up, stretch, and take a long walk or perhaps grab a plane and float over to Paris, where you could wake up, stretch, and stroll around town practicing your French, whiling in cafes, bars, restaurants, parks.
Unless it was winter in New York–then it’d be more practical to float to Buenos Aires, or perhaps Sydney, or maybe just take a road trip down through the Old South, spending a week or two in New Orleans before making your way to Albuquerque, Flagstaff, Prescott, Phoenix, Tuscon, LA, San Diego, Mexico City–gradually building up your tan as you progressed.

But I’m lonely, so who will be my wife?
You can travel with me and have sex with me and hang out with me.
But what will we talk about? And how will we keep the sex both loving and exciting?
Clearly we’ll need a lot of women’s magazines, and a few men’s magazines, and maybe a couple on pop psychology.
And yet that comment is even painful as a joke; even just trying to be cool and toss of an ironic grin makes me feel the cockroaches eating me from the inside out, their little brown grasshopper heads whirring maniacally from side to side.
Who will be my wife and keep me company while I skate through on my daydreamed riches?
Who can I find that will complete me as a human being?
Not in a tawdry, run-in-my-yellow-stockings kind of way; but wholesome:
I want a love that isn’t cheating, that is actually both fulfilling and decent– to feel good and not feel terrible about it.

Or do I just grab a couple pairs of old jeans, white Ts, hiking sneakers, cowboy boots, snap-button western shirts, a sweater and a jacket and hop into some reliable, fuel-efficient sedan? It is the information age now, so even if there’s no one to talk to, there’s still always a lot to focus on.

Who remembers the RV Age?
I watched it up close when I was a child.
Grandpa retires at 62, buys a small RV and him and grandma tour the US, visiting kids and grandkids on the way. A retirement that lasts forever. Unless you get hit by a stray stroke or something.

Never mind.
It doesn’t matter.

Which raises another interesting question. Pardon me if you don’t think it is interesting. I’d write “which raises another interesting question, at least from my point of view” to avoid controversy. I hate controversy and I’d be willing to accept even more awkward formulations in order to keep people from snarling towards me, swatting their big soft paws at my little unprotected head. But I honestly don’t think anyone cares what I say or do, so I just stuck to the shorter formulation. And yet I then explained myself in a long convoluted and not completely spleenless passage where I managed to communicate all that I claimed to not bother communicating and then some.

Never mind–it doesn’t matter.
Which raises another interesting question:
When do you hang it up?

At some point you realize that your dream isn’t tenable. Maybe it isn’t what you want so much as what you wish you both had and wanted to have. Maybe you just realize you’re not going to attain it, or that you’d rather just skip it and attain something else. At some point the best thing to do is to give up, to quit. Your parents told you it is always best to stick it out; as a general guideline that has some merit, but it is not an eternal truth. So when do you hang in the towel?

What about everybody else?
Do they even exist for you?
All you can see is the sunlight glinting on a desert road where you never were in a time before you, beckoning you on, calling you into the glint and the dry heat that smells like stillness.
What about the existence of others? It has a place in your philosophy, why not your heart?

Desperado–!
but as an abstraction:
All the self-involvement and self-indulgence,
but without the riding chaps, the stetson, the infallible six-shooter, whistful woman in every port–

Sour hurt in the stomach, squishing you down, squishing you in; imploding like suddenly deep in the ocean, squished into a long string with some other long strings dangling off it. If I could just explode outward instead of inward! Then I’d get past this glitch.
For sure.

BW / AMW

Two homeless men

Two homeless men

1 of 2 stories from the coldest Valentine’s Day in NYC history.

Sitting there, crowded subway. People squished on either side–arm around your girlfriend and her shiny, slippery, puffy coat; and the wide round thighs and big black coat of the person on your right spilling into your experience, hemming you in, holding you tight. People all along the overhead poles, standing in front of you closer than people normally get, leaning over you, their coats unzipped and faces staring at an ad-lined concaving wall over your head.

A young white man enters by the door across and eight feet over. Subway’s not yet so crowded that you can’t see him clearly. He’s unshaven with a stubble growing long, looking like porcupine quills lying down. A thick blue jacket. Not a thin guy, but not fat either–a little stocky, chunky, horse-shoe-shaped. Gray hood and blue knit cap over his head; a fringe of dark hair showing beneath the cap. Dirty faded blue jeans. Pale face a little horseshoe shaped and not quite fat but not quite thin or square, kind of edging towards heavy; and the corners of the eyes and lips slanting down sadly, in resignation, which matches his monotone that is a little nasally and maybe borders on whine but that is more like the pained, self-conscious deadpan of an AA confession: (the speaker pauses to glance down from time to time; then he revs back up–head babybirds a bit back and up as he plaintive shouts the top of his next volley, a height from which his delivery soon drops down into a steady doldrum) “Hello, I’m very sorry to disturb you. My name’s (witness honestly forgets). I am 29 years old and I am here because I am homeless and I am out of work. I can promise you that I will not be out of work forever; I am going to get a job and get myself back on my feet as soon as I can–that’s a promise I’ve made to myself. And even though I’ve got an education, I don’t care–I’ll wash dishes if I have to, anything it takes. I’ve promised myself that much. But today I am here asking for some help because I am homeless and out of work. I tried to find a place to sleep all last night, but I couldn’t lie down anywhere for more than a few minutes without feeling like I was going into hypothermia.” He went on to say that he checked himself into the ER last night because he was so cold. They kicked him out after 45 minutes but it was worth it just to warm up for a little while. He’s been trying to get enough money for a warm meal; he’s about halfway there; if anyone could be kind enough to help him out–. A 40ish black lady sitting behind and to one side of him, stout and wrapped up in her coat and hood and hat like a baby in a papoose, poked at him; he reached back with a cupped hand and she inserted something into it. She had a round face, a small, flat, round-edged nose, big eyes, a slight smile on her full lips as she looked a little up and to her left towards the troubled young man.

The man heads away from you, and you can’t see him in the crowd. At the next stop a medium-build, sharp-cheeked black man in a sturdy green workman’s coat (the kind that looks more solid than puffy and more matte than shiny–you see them on construction workers) and worn but clean and wrinkle-free black jeans. He gives his speech in a clear voice with his head up. He’s homeless and he’s out of work, but he’s not looking for a handout. He’s got these papers from a local homeless advocacy organization that he is selling for a dollar, two dollars–whatever you want to pay.

The newcomer heads towards the same direction as the other guy. Then there’s a little bubble in the crowd like when a pebble makes ripples in a creek. Arms overhead, stumbling back a little: “.. I didn’t even know …” Backpedals towards your spot, talking loud and stern towards the direction he came: “But do it the right way! Do it the right way! Do it the right way.” And a little later, looking over with a flash in his eyes like he heard something offensive; but he’s right next to you and you heard nothing; it could also just be the pique of recalling and further unpacking a past grievance: “you’re 37?! I’m 53! I’m retired! I’ve been at this since 9:30 in the morning!” (It is about 2pm) “And what is this? [arm stretched out long, but limply, pathetically] You gonna just hold out your hand and say oh, gimme gimme gimme–what is that? And you wonder why people don’t give you nothin! You can do better than that–you can do better than that, son,–you can do much better than that!”

Where was the original guy? You can’t see him. The new comer finishes scolding and exits when the doors open at the next stop. You feel sad, overwhelmed.

Witness: AMW; Author: BW; Accuracy: Not all the details, but something like that.

The First Step

The First Step

He is a long cool slab of stone sitting on the sandy dirt with long fat soft pliable light brown pine needles all around. His movements are slow and steady. I think he is a praying mantis moving up a leaf or a salamander slipping into the pond. I think he is a marching band in bright stiff primary colors and thick curling white frippery: back straight, chest out, instrument up, legs lifting high. I think he is a humped back armadillo, mastodon, bull, or rhino-like dinosaur. I think he coats the back of dreamland with a soft black ooze.

Pure Love? Sure, love. Another way to sucker you, another way to steal your mind.

But still I sit here in the rounding of the dark skipping stream and pluck at long sharp grassblades, hoping for God, a girl and general spryness. I’m hoping for the ground to rise up and up until it reveals itself to be a loamy flying saucer, dangling roots and dribbling clods and sprays of cool dark dirt. I’m hoping two giant crab eyes will rise up out of the grass on either side of me, look every way, blink in surprise at seeing me, zip back down under the floating earth, and then rise up gradually, angling away from me, trembling a little, and edging back down a bit after every advance, but slowly–like a tail-tittering squirrel overcome by the safety of the park and the lure of the potato chip–rising up to see me, greet me and acknowledge that I too am flying with the craft, have become part of this round, round-edged chunk of flying earth.

I want to be happy? I want to be decent? Why am I here? What is the point of all this getting older? I’m tired now. Pure Love? A love free from all greeds, lusts, prides, meannesses, hopes, fears, platitudes, attitudes, promises, betrayals. A love that is complete joy and complete generosity. And somehow that love should talk to me, help me, be my heart and my soul and the direction of my life. Nice thought. But what about realism? What about toughly braving the hard facts? And yet the accounts of ultimate meaninglessness and of gods that put grandeur over love don’t seem any more plausible to me. They actually just sound like meaningless noise to me. So who is right? Who’s ear is right? I can hear you calling in the night? I will keep your people in my heart? Cheesy church song from some wimpy tradition that can’t even roll the snares of war anymore, can’t fight for anything and so must needs die?

Love as the most fundamental reality: now that would actually be meaningful. But everything else as the fundamental reality: boring, meaningless, inconsequential, half-ass, hopeless, meaningless.

I’ve skipped this stone across this flat black water for long enough now. The rim of the arching concrete dam has held this water up and in for long enough now.

Around and around, pacing over these same steps. Tired and bored.

Another day

Another day

Well if I’m in the wrong from when I was where I was when I was way back.

And what can one say now? The fir pines circle round and the leaders wear white. I cannot see their faces. It is dark. A certain certainty seeps into the political climate. The crack and see in the morning light that the old flake-barked mountain pine has been split down the center, long winding limbs drooping defeated, pencil-sized needles holding tight in tassle-clumps: hopeless, looks hopeless to me. That kind of pine always lives in the dry air in the blue sky when you are a young boy with springy white-soled sneakers walking up the criss-crossing dirt path to an easy summit, canteen and cowboy hat in tow–envious of a cousin’s Bowie knife in a black leather scabbard (with a rectangular pouch on top for the sharpening stone).

I’m sorry, but you can’t come in. I’m sorry but we can’t complain. The lower-middle-squeezes resent the hand-outs of the impoverished. The impoverished are afraid to work because if they do what squeak-by they get will be self-righteously wrenched from them. The cities have gates of stone and the enemies carry doomsday powder in their long pockets. We are so rich in this place, a deceased great Aunt’s giant green painting hangs over the yellow soft-leather couch in a living room where nothing matches anything else. The picture is a hundred swooping compartments drawn by random slashes through through the canvas (white scars on the arms of a Nordic warrior, some old Viking who finally got his). Then inside all the compartments, shades of green. Mason Profit sang country rock and made an album and wore the outfits and did the kicks forty years ago; now, turned into digital pinpricks held in a little flat silver-backed rectangle, they travel through wires and make cones shake, and “So today the evil in men is sparked in self-destruction. From the fires that … if we could only turn to loving. If we could only turn to loving. If we could only turn to loving. If we could only turn to loving. If we could only turn to loving. If we could only turn to loving.” A tiny boy runs laps around the downstair circle, his long blond hair flaxen mud-flapping behind. And his white sweatshirt is decorated in green dinosaurs, his pink pants–made apparently of fleece–are decorated with fiddles and other stringed instruments. He runs nimbly, just as his thin father previously bragged. Why is he walking on all fours now?

Beginning of “PL Factory Farm: Part 1”

Beginning of “PL Factory Farm: Part 1”

This is the beginning of “Pure Love Factory Farm Pt 1”, appearing in “First Loves” (see “Buy the Books” [you don’t have to; this was our first attempt at a book.]

So this is our factory farm. Up here you can see pretty much the whole operation, from the giant glass aquariums filled to the brim with rich black dirt where we hold our earthworms before milking, to the stainless steel milking stations where our workers, dressed nattily — “lumberjack-chic”, we like to say — in heavy workboots and denim overalls with soft flannel shirts bursting brightly out the sides, pull Pure Love from the worms, worm by worm, using our patented Pure Love extraction equipment.

See how a little square of super-soft — cuddly, really — gray cloth is flung over an earthworm resting on the smooth wooden surface of one of those small square work tables? The blue wire attached to the back of the cloth sends a wake-up signal to the earthworm’s nervous system, exciting the earthworm and invigorating its thoughts and feelings — such as they are — and thus propelling Pure Love up to the forefront of its conscious or perhaps pseudo-conscious — as the case may be — experience (basic rule of thumb: awareness is most fundamentally Pure Love, so more awareness equals more Pure Love), and the red wire attached to the front of the cloth carries any Pure Love rubbed off the writhing worm into that little glass cylinder where the Pure Love catches Its breath and becomes more present in Its infinite expanse.

Behind the milking stations you can see the large wooden barrels where we store core upon core of everywhere- and forever-explosions of Pure Love. Each bottle in that conveyored line of bottles flowing under the barrel taps is filled with all the Pure Love it can hold—which, rigorously stated, is both an infinite and a non-existent amount. Over there on the far end towards the back door you can see another set of dirt-filled aquariums. That’s where we hold the earthworms once they’ve been milked. They recuperate in those tanks a minimum of 24 hours — notice how both sets of aquariums are on a long elliptical conveyor belt; the belts move one position to the left every three hours to ensure we process the earthworms in the correct order — , and then we drive them out and release them in the wild.

Beautiful, huh?! Our investors wanted cement floors because they’re cheaper than hardwood and a big windowless concoction of steel beams and vinyl siding instead of this comparatively pricey giant brick barn whose magnificent skylights and windows fill the space with not only natural light, but the whole of the outside world. But we explained that you simply cannot cut corners when dealing with Pure Love. The right mood is important for both harvesters and donors.

Let’s go to our dining area. I’ll buy you something to eat and drink and tell you a little about the details of the operation.
Here’s your coffee. You’re sure you’re not hungry? The food is quite good. Healthy too. None of that processed nonsense. Everything’s made right here with fresh, organic ingredients. And the animal products — no meat is served here, but we do offer eggs and dairy — all come from carefully raised, grass-fed, free-range critters. I really like the avocado omelet. With sweet and white home fries. And the most amazing aji verde!

Don’t be like that! It’ll only take a second — you can see that there’s no line. None of the workers are on a break or lunch at the moment. Here, watch my iced tea — I want a good approximation of how much volume each ice cube loses while I’m away.
That bit about the ice cubes was a joke! Just sit back and relax! Make yourself at home! Help yourself to some ice cubes from my glass!

That bit about taking the ice cubes from my glass was a joke!
You don’t want any ice cubes yourself do you? In a cup?
OK.

Here you go. Smells good, right? Follow me to the patio — it’d be a shame to miss out on such a clear bright day!
Incredible! Incredible! And free! That’s nature for you! Wow! Great outdoors: can’t get enough of the stuff myself. Let’s stop a second and breathe it in. You only live once! Well, I mean, who knows?, but surely there’s a sense in which you only live once.
So, is this the first Pure Love factory you’ve ever seen? They’re not as expensive to operate as you might think. The equipment doesn’t use that much electricity — on a sunny spring day the solar panels on the roof of the cafeteria/rec-room usually cover all our energy needs. Also, as you know, earthworms are basically free — and they are quite hardy. Though we do keep the place fairly cool all year round because that seems to keep them as full of life as they can be and thus as productive as possible.

Before we go on, let me first tell you how much I love iced tea with about a cup of ice and one-fourth lemon per pint. It isn’t just that it is cool and gentle yet sharply refreshing. There’s something more to it than that, or something within that crisp tang that is somehow more than the sum of its parts, something that connects me to deeper things, to the soft yet clear-edged, sometimes blue-, sometimes-gray-skied world of my youth and to the creek winding its way through those days. I like to watch moving water, especially on a bright day when its constantly shifting peaks and valleys reflect the sunlight in infinitely wondrous and unpredictable ways. It always gives me the feeling that there is something more to this play of atoms and voids in my watching mind than atoms and voids or even my own watching. But I suppose all that goes without saying. Philosophers debate whether or not, or in what way, and/or to what degree that sense of a deeper core to this life is accurate. But we’ve all seen creeks in the sunlight; and that experience is the bulk of what we really know about the matter. Many of us revel in a glass of freshly brewed, unsweetened iced tea with ice cubes floating enmass in the upper portion of the glass and a lemon wedge — still somewhat folded-over from the twisting-squeeze — in the mix somewhere or other. But who can say what lies at the core of this joy?

Did you have any questions about the factory or the product?
No: As far as we can tell, the worms don’t suffer or get damaged in any way by being milked. And we don’t think they lose any Pure Love. According to everything we’ve observed, you can no more remove or lessen the infinite dollop of Pure Love shining at the core of a creature than you can keep The One Light — aka: Pure Love — from creating, sustaining, and shining through all things. But even if the milking doesn’t damage the worms, they should still spend the bulk of their days writhing eagerly through the earth’s immense, and — from the earthworm’s perspective, which we of course need to be sensitive to — immensely invigorating and inexhaustibly fascinating crust.

You’re right: moral concerns are even more important to a Pure Love factory farm than to more conventional factory farms. As an aside I will note that torturing chickens to death to save a few cents on eggs and poultry, and cramping livestock together, plumping them up with hormones, and keeping the stressed-out brutes alive with antibiotics instead of more traditional methods like allowing them space to move is probably neither practically wise nor morally acceptable. However, that’s not really my industry and it’s not really what you’ve come to learn about today.

I won’t spend too long on our metaphysical and ethical positions. If you’re interested, you can read about them more fully on our website. There you’ll also find a good synopsis of our philosophical positions and how we try to connect them to our real-world operations in our business statement.

{It goes on like that.
Buy “First Loves” if you want to keep hearing this kind of pitter-patter. We understand if you’d just as soon let it pass. But we thought we’d let everybody know what all we’d published in “Buy the Books”

— B. Willard / A. Whistletown
copyright holder is AM Watson
}

Blog Book Project Introduction

Blog Book Project Introduction

Blog Book Introduction

Hello Worlds!

This is Love at a Reasonable Price, a blog and a book by the fictional Bartleby Willard, an originally unbidden but now beloved writer-in-residence at Wandering Albatross Press, the world’s only truly eternal (existing prior to timespace and within every momentspot) publishing house.

The plan: Each week, Bartleby, who has been writing and forgetting for years, and his editor Andy Watson, who has been sheepishly shrugging his shoulders for years, will select something from the dusty pile; edit and otherwise complete it; write a blog entry that in some way compliments the selection; and then release the former into an evolving ebook and the latter into this blog.

For intro and access to the ebook, float up to the upper right hand corner of this blog–up to the “Buy the Book” link; or just fall yourself through this Book Link. What will Bartleby’s wondrous first book be? Will it be anything at all? Hmmmm. Buying this evolving and so not yet evolved book is a risk of ten US American dollars. But purchasing literary endeavors is always a risk of time and money (insofar as time = money, we can speak of a risk of timemoney).

Please keep in mind that this blog is enmeshed within the international capitalistic economy. Not only is it hawking a book version of itself, it is raising awareness for the entire product line of Wandering Albatross Press, which currently includes TOTES DECORATED WITH WHIMSYING CATS

But to return to the fly-by-night within this book writing procedure: Yes, I, Bartleby Willard, your author, your dashing young novelty, am still the sorcerer’s understudy. Perhaps, indeed most likely or rather almost certainly, any book that arrives through the above outlined process will be but a sketchbook, a book of literary doodles. How could such a wildly respectable publishing house publish the sketchbook of a young, wind-swept, wave-tossed, bramble-beaten, muddy-eyed fictional personage? But Wandering Albatross Press, you see, has a great affinity for great sweeping works of doodling. And no one here in the WAP office in Somewhere Sometime Wall Street; I say, no one here can stand another year of BW writing, AMW shrugging, and the papers piling up and up and up. So let them try something! Anything! Please!

Enough; it is not time for me to write a novel, nor even a collection of short stories, and yet it is time for me to write something, and so here comes this jumble tumble. But with some kind of cohesion: Much will be said about manufacturing, marketing, distributing, and selling Pure Love (an eternal good: the essential core of all particular loves;–giving infinitely, without looking for any justification or recompense); and much about Wandering Albatross Press and its new uninvited, unhired, but befriended and encouraged author.

Yours in the inevitability of kindness and the incidentallity of all else,

Bartleby Willard, self-imposed live-in staff writer for the bemused Wandering Albatross Press
Not so very long ago
The thundering Wandering Albatross Press Building at sometime somewhere Wall Street, NYC

——

The long-play version of this introduction includes another possible explanation for the contradictory plot lines, some charming metaphysical assumptions, and a few other flourishes. The book is

We do sell Cat Totes

——-

About this project:

We’re letting Bartleby write his book; we’re even publishing it for him; it is a loosely bound sketchbook: stories of his time here at Wandering Albatross Press interspersed with writings from that time or from now but somehow connected to that time; the supplementary writings will be mostly stories about manufacturing, marketing, distributing, and selling Pure Love. This blog will consist of extracts from the book’s chapters as they are released into the lumiferous aether. You can buy BW’s book as he writes it here. You can also consider this blog a long advertisement for Wandering Albatross Press’s some-such-several wonderful products; like . You can also view this blog as it’s own thing–a good unto itself–and as such a sweet, chaste little kiss running through the infomaterous aether (the theory of a lumiferous ether through which electromagetic waves move is no longer widely accepted and its originators all long dead; it is very much in the public domain and so publishing houses, such as the beautiful WAP, can use it any way they please). But insofar as this is a commercial venture, we still need it fundamentally grounded not in profit-motive, but in kind delight. So cross your fingers for us; say a prayer for us; keep a gentle but stern, a wary but hopeful eye on us. Help us to try. Or at least let us try.

Author: Bartleby Willard, fictional character

Copyright holder/editor: Andrew Mackenzie Watson (of the Sand Springs Watsons)