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I don’t know what to do.

I don’t know what to do.

Politics.
The give-up.
race in america.
the girl for me.

Whirl me around the block. I’m gone. Nothing left. Whirl around the bend and back again. I’m all out of love.

[Originally accidentally posted as a page on June 3 at 23:07]

I’m Lonely

I’m Lonely

So it goes.
Nothing to say really.
Walking on spinning plates.
Nowhere to go really.
Anyway.

[Originally accidentally posted as a page on June 3 @ 22:03]

The Evil

The Evil

I live in the city. I go to the market.
I walk up the stone steps by the spreading roses.
I hear the sunshine in my brain.
In the morning an espresso with twist of pastry.
In the evening a red wine with a thin-crust pizza.
Every day up and down the stairs overlooking the city.
Every day stop and sip from the bubbling fountain
within the lion’s open mouth.

Who will stop the evil? Who can keep it from winning?
The monster crouches low and slowly churns its great stone mane upwards.
Eyes flash boredom and contempt; coming to hurt us, for no real reason.
It doesn’t care about anything; it just needs to crash and crush, dominate.
We have no hope against it. We scatter like leaves and snap like twigs.
Dry sounds of crunching and snapping. A vigorous laugh pierces the air.
My how soft and light-blue the sunshiny sky feels down here!

AMW/BW

Tis time, I think, by Mystic town

Tis time, I think, by Mystic town

Tis time, I think, by Mystic town
By BW/AMW;
a poem-exchange with Tis time, I think, by Wenlock town by A.E. Housman

Tis time, I think, by Mystic town
The lolling ships should dip;
The linen masts curving round and down
Should puff and start to skip.

Summer soon drifts past loiterer’s here
Who line and range and hope;
So others split the waves and slip
Beneath the saltspray lope.

Oh vanish late on Mystic Way,
Heat that I never see;
Fingers rising faintly gray
From sidewalks fronting me.

AMW/BW/Whatever

Tis time, I think, by Wenlock town
by A.E. Housman

’Tis time, I think, by Wenlock town
The golden broom should blow;
The hawthorn sprinkled up and down
Should charge the land with snow.

Spring will not wait the loiterer’s time
Who keeps so long away;
So others wear the broom and climb
The hedgerows heaped with may.

Oh tarnish late on Wenlock Edge,
Gold that I never see;
Lie long, high snowdrifts in the hedge
That will not shower on me.

Margaux with the photo album

Margaux with the photo album

Bent around the photo album, her fingers short and narrow
on pictures circa eighty-five: her boyfriend and his family.
“You still get that look on your face”
“What’s that?”
“That bored look. … You still get that look on your face.”
A little mouse peaking round a broken stone,
with a tiny almost smile that giggles full and wide,
“Ah ha ha! Such a little boyscout! I love that!”
Little upturned round-tipped nose pivot-point;
narrow chin,
cheeks that roll and sweep to eyes that pop and bug–
forehead curtained by brown waving frizzing drying locks.
Margaux in a flowerprint cotton skirt and beige lending shirt,
Margaux leaning big-eyed,
“Have you written anything else about me?”

The Serenade

The Serenade

Revised:

The Serenade

Raised, like so many of my generation,
on our fathers’ Leonard Cohen,
I’ve wrestled and I’ve tumbled
for nigh on too many years
with the query the conundrum:
If it matters which you heard,
the broken or the holy
Hallelujah.

They say, behind my back,
and round about the alleyways,
that I’m not somebody who’s seen the Light!
Just a clod screaming against the dark,
looking high and low and sideways
for a place to rest my very lonely plight.

Could be, could be, and gather round;
could be, should be, and drink it down;
I didn’t come to fool yuh!,
just to stretch my limbs, feel the air,
and to try talk’in withyuh.
So help me, so help us,
come on, come on, let’s stay together.

AMW/BW

Original:

Raised, like so many of my generation,
on our fathers’ Leonard Cohen,
I’ve wrestled and I’ve wrangled
for nigh on too many years
with the query and conundrum
of whether it matters or not
which you heard:
the holy, or the broken
Hallelujah.

They say, behind my back,
and round about the alleyways,
that I’m not somebody who’s seen the Light!
Just a clod screaming against the dark,
looking high and low and sideways
for a place to rest my very lonely plight.

Could be, could be, and gather round;
could be, could be, and drink it down;
I didn’t come to fool yuh!,
just to cross my legs and feel the air,
and try to talk somethin to yuh.
So help me, so help us,
come on, come on, let’s stay together.

AMW/BW

Zoolander Two

Zoolander Two

And tell to me of Zoo of Lander Two.
A richer tapestry of nonsense you
will never ever know oh youth ah bold!
full images concepts pop stars enfold
ing us we viewers, partakers who laugh.

I laughed so merry, felt just almost sure
that we’ll attain the best for all through fun.

Remember the thesis in “Cabaret”: that the Nazis took over because people were too busy with parties and general flippant living to pay attention to the looming disaster? But this silliness of Zoolander; it seemed serious. And it contemplated a lot of ideas–all with a kindness, a light touch, a generous and gentle hand. I liked it. A creative explosion of jokes, images, and references; likable characters; a frolicking deconstruction of pop culture from the worship of beauty to the glorification of sex to the dueling bumpersticker-logics to the obsession with political correctness, to celebrity worship. But most of all the fun! They were having fun goofing exploring in ideas, images, characters, worlds. It was fun without being mean; life can be fun without being terrible and that is wonderful–that is the antidote to the violent certainties that wall people and peoples off from one another. Let’s have fun, be open-minded, and work on the nuts and bolts of policy together–what if it were fun to think not about how X must be terrible because the evil party thought of it and Y must be great because the good party thought of it, but to think about policies together, about the details of how we can move real situations in better direction. What if experimenting in cautiously growing a better and better government was part of the fun of life? What if politics was a nice, fun project where we all work together to help us all win?

AMW/BW

The Failure of the Victim

The Failure of the Victim

Won’t stand up.
Can’t say.
Screams his agony.
Brags his pain.
Can’t stop.

Hate him,
love him,
joke him,
gab him,
friend him,
dump him.

Where will it all go to?
WE ask ourselves in cool
antechambers.

It is my fault.
I should’ve
or something.

The Hurt He Feels

The Hurt He Feels

He’s just a man, and nothing more.
He needs a woman, and nothing less.
He would touch if he could,
he would love if he should.

I find him in the barrio;
I spy him long the wharves,
catching and cutting time.

I’ll kill him if I’d be so bold.
I’ll flay his skin right off,
when I gobble my stormclouds right.

The hurt he feels?
But he’s a baby;
a liar;
a half-ass freak.

The hurt he feels?
But we all hurt.

So he gets hit from the inside;
who doesn’t?

I’m lonely, but he’s a clod.

What is a hurt
in your pit?
What is a radiation
of hurt?
What is shame,
deepdown shame,
rolled in sickness,
baked in anger.
What’s that?

Spread him out like playing cards
atop your shaky green card table.
Now his heart’s there and his mind’s there;
now his brain’s gone blank.

AMWBW