Browsed by
Author: Bartleby

CH 15: Kempt in the Beer Hall

CH 15: Kempt in the Beer Hall

Chapters of Diary of an Adamant Seducer

The mountain folks are not known for their engineering. The abundance of magic keeps that comparatively tedious art to a minimum. But there are the trolls, who have only the weakest, most flop-prone of magics. They do some engineering. Nothing on a grand scale. Mostly mining stuff. Wide-winding conveyor belts and deep-plunging elevators. The occasional locomotive, which, due to the uneven terrain and the trolls’ general love of walking, only ever travel over very short stretches, hauling rubble out of mines towards rubble-piles that, to the general annoyance of the more-refined mountain creatures, dot many a slope and slide into many a valley. But the mountains are many and the trolls few, and in recent years they’ve even agreed to repurpose a large percentage of the rubble for mountain plazas, hanging gardens, and other public works. Because trolls, for whatever reason(s), only ever want to work anyway.

Trolls are very industrious. It could be argued (and indeed has been time and time again over yet another glass of mountain grog imbibed at yet another long-plank mountain feasting table by yet another youthful wag of some more magic-reliant species) that there’s no need for all this chipping away of mountain stone and stirring up and hauling out precious metals and gems. But it’s what trolls do and the mountain king has always ruled that, as long as all activities are contained within larger systems that allow for the general health and welfare of all, all the mountain folk are free to follow their own natures, be they ever so perverse.

Here let it be parenthetically noted that the mountain king is always there and always wise enough and respected, and thereby himself constitutes a type of magic and makes possible a system of governance that we magic-less denizens cannot hope to recreate in our lumpier, less finesse-able realities.

Kempt Whistletown, having discussed with the mountain king the actions and statements of his brother Amble and his friend Bartleby during their several months crashing in the hall of the mountain king, finds himself in a cavernous (it is literally in a cavern) beer hall a few hundred feet below the hall of the mountain king. This is perhaps the most cosmopolitan beer hall in the mountain lands. They even built an extra wide door so dragons and giants could hang out.

The hall offers a special beverage only to dragons, giants, and minotaurs. Because it would kill anyone else. It’s called big-beer (it was named by giants, who are not known for their literature) and it is strong enough that a couple gallons will make a minotaur silly, a barrel will get a giant to tell you about the hilarious time she accidentally threw a cow through a brick wall, and five or six barrels will make a dragon giggle about this one knight that mistook him for one of those princess-stealing dragons, and then hiccup in regret and repeat half a dozen times that he’d just meant to give the noble soul in shining armor a little tap-down and he hadn’t realized how flimsy they make those helmets.

(“Pity my brother hadn’t made the helmet!” chimes in some troll. “Oh come on!” replies another troll. “What!? He’s the best schmied, everyone knows that!” “Well, I don’t know about BEST. That’s a big word. No one’s gonna deny he’s a great schmied, but …” “Yeah, and all I’m saying is, had he made that helmet, that knight would be here today, laughing along with the rest of us.” Here the dragon has to anchor the conversation in at least a vestige of reality: “Probably not. It was a thousand years ago or so.” “Oh. Well, you get my point!” “Look, your brother’s a good schmied, but you don’t need to work that fact into every conversation.” “I don’t! It just, well, it fit, it flowed naturally from the conversation we were having.” “Uh huh.” “What?!? Are you saying it didn’t? Are you saying there was a more logical comment in that sequence of exchanges?”)

So there’s Kempt, nursing a human-grade beer in the beer hall below the hall of the mountain king and talking to a fairy and a troll about this idea he’s had for a flying car. The fairy, who of course can already fly and could easily enchant anything so that it also flew, smiles in polite and somewhat-real interest. But the troll, a buxom young beauty in a blue flowing robe and with a sparkling diamond tiara atop her soft, richly-flowing dark hair, taps her dainty fingers on the thousand-year-old tabletop and exclaims, “No, but I think that would work! I think we could put that together! We have been working on just the material for the body of such a vehicle!” And here the fairy perks up. “If you want a little” (and he stirs the air with open, inward-curving fingers) “I could speed up the production process.”

Kempt takes another sip of this melodious, earthen, oaky, full-bodied beer with a medium alcohol content and a molasses-like, sobering keel. “Yeah! We could, I mean, with your help.”

The fairy nods. “We could make one in five minutes.”

Author: BW
Editor: AW
Copyright: AMW

Chapters of Diary of an Adamant Seducer

Ch 13: Arch & Tun Reevaluate

Ch 13: Arch & Tun Reevaluate

I, Ishmael, was one of that crew; my shouts had gone up with the rest; my oath had been welded with theirs; and stronger I shouted, and more did I hammer and clinch my oath, because of the dread in my soul. A wild, mystical, sympathetical feeling was in me; Ahab’s quenchless feud seemed mine. With greedy ears I learned the history of that murderous monster against whom I and all the others had taken our oaths of violence and revenge.

The White Whale swam before him as the monomaniac incarnation of all those malicious agencies which some deep men feel eating in them, till they are left living on with half a heart and half a lung. That intangible malignity which has been from the beginning; to whose dominion even the modern Christians ascribe one-half of the worlds; which the ancient Ophites of the east reverenced in their statue devil;—Ahab did not fall down and worship it like them; but deliriously transferring its idea to the abhorred white whale, he pitted himself, all mutilated, against it. All that most maddens and torments; all that stirs up the lees of things; all truth with malice in it; all that cracks the sinews and cakes the brain; all the subtle demonisms of life and thought; all evil, to crazy Ahab, were visibly personified, and made practically assailable in Moby Dick. He piled upon the whale’s white hump the sum of all the general rage and hate felt by his whole race from Adam down; and then, as if his chest had been a mortar, he burst his hot heart’s shell upon it.

It is not probable that this monomania in him took its instant rise at the precise time of his bodily dismemberment. Then, in darting at the monster, knife in hand, he had but given loose to a sudden, passionate, corporal animosity; and when he received the stroke that tore him, he probably but felt the agonizing bodily laceration, but nothing more. Yet, when by this collision forced to turn towards home, and for long months of days and weeks, Ahab and anguish lay stretched together in one hammock, rounding in mid winter that dreary, howling Patagonian Cape; then it was, that his torn body and gashed soul bled into one another; and so interfusing, made him mad.
….

But be all this as it may, certain it is, that with the mad secret of his unabated rage bolted up and keyed in him, Ahab had purposely sailed upon the present voyage with the one only and all-engrossing object of hunting the White Whale. Had any one of his old acquaintances on shore but half dreamed of what was lurking in him then, how soon would their aghast and righteous souls have wrenched the ship from such a fiendish man! They were bent on profitable cruises, the profit to be counted down in dollars from the mint. He was intent on an audacious, immitigable, and supernatural revenge.
Here, then, was this grey-headed, ungodly old man, chasing with curses a Job’s whale round the world, at the head of a crew, too, chiefly made up of mongrel renegades, and castaways, and cannibals—morally enfeebled also, by the incompetence of mere unaided virtue or right-mindedness in Starbuck, the invulnerable jollity of indifference and recklessness in Stubb, and the pervading mediocrity in Flask. Such a crew, so officered, seemed specially picked and packed by some infernal fatality to help him to his monomaniac revenge. How it was that they so aboundingly responded to the old man’s ire—by what evil magic their souls were possessed, that at times his hate seemed almost theirs; the White Whale as much their insufferable foe as his; how all this came to be—what the White Whale was to them, or how to their unconscious understandings, also, in some dim, unsuspected way, he might have seemed the gliding great demon of the seas of life,—all this to explain, would be to dive deeper than Ishmael can go. The subterranean miner that works in us all, how can one tell whither leads his shaft by the ever shifting, muffled sound of his pick? Who does not feel the irresistible arm drag? What skiff in tow of a seventy-four can stand still? For one, I gave myself up to the abandonment of the time and the place; but while yet all a-rush to encounter the whale, could see naught in that brute but the deadliest ill.

Archangelbert Skullvalley arcs his long narrow fingers over the great pipe organ embedded in cold, uneven, sharp-peaked and coarse-valleyed castle-stones. The pipe organ in the immense, seldom-used SAWB cathedral fits, like the parched mudbrick estates of an Anasazi village, in the clifflike cathedral wall, some hundred feet above the worn oaken floorplanks and fifty feet below the vaulted rafters. On all sides stream multicolored light through immense stained glass windows, each in the outline of a giant’s door, and all telling all the stories that you grew up with and almost kind of believed as you sat at a rectangular wooden table with rounded edges and a white linoleum tabletop bound ‘round and clamped to its plywood mount by a two-inch-tall metal runner. You sat up straight in a plastic bucket chair with metal legs and feet that would slide and sometimes scrape the white linoleum floor. Light came in at the side of the room from tall square windows and from above via fluorescent lights shining through thin sheets of frosted-white corrugated plastic. You were there, even if your mind was wandering.

The deep winding oom-pah-pahing, rambling song of a distracted and melancholy organist hovers over Lower Manhattan as a giant dome of intricately-moody wide-brooding consternation

Evil is
A joint endeavor
A reckless shove here
A selfish sneak there
A prideful twist hither
A self-preserving turn thither

We seek evil in one or a few
We suppose it incarnate and whole in our foe

But we’re all always just
A few threads of passionate momentums
And exhausted eddy-seeking collapses

Most evils need more than one soul
To weave those gowns of shattered glass

Woe to the bad apple who finds ready allies!

And how lucky you are
When young and foolish
If
No one takes you us up
on violent thought
Or weak indulgence —
No fellow fool
Rallies with ready weaponry
Nor goads with wild opiates

Evil is
Increasing dishonesty, confusion, corruption, madness and meanness
Reducing honest, clear, calm, accurate, competent, gentle uplift and shared joy

How to stop the evil?
How to make things
Better for everyone?
Or at least divert the desperate mayhem
That makes things worse?

Thundration Whistletown is standing on the Manhattan Battery, fishing for great white sharks. Lassoing ocean-going fishing line over his head, he swings a large sharp hook upon which three bleeding eels writhe in righteous—albeit confused—indignation round and round. And then, with the deft touch and relaxed drop-back for which he’s famous among the Publishing TItan community, he lobs the hook and line out into the middle of the caribbean sea, where it splits the calm southern waters and slants down towards the soft seabed.

Clunk! It hits the head of the great white shark at which Tun had aimed. He hears it sink. How pointless was that? What kind of fishing is this? But you see, the eternal founders of Skullvally After Whistletown are at their ends. They’ve reached their limits and now—children up six hours past their bedtimes, chasing handfuls of store-bought icing with swigs of Mountain Dew and flipping between racy horror movies and racy music videos—they fold inward upon themselves.

But then he hears it.
Don’t you know he heard it!
On that late-September eve.
He hears Archangelbert
Reaching for a tune.

With a bend and toss of his long elastic torso, Tun flings himself after the sinking shark and hooked eels. After repairing the fish, Tun returns to Manhattan to consider Arch’s counterpointed considerations.

They speak later, on the penthouse lawn, coaching croquet—each coach is in charge of a team of toads, who together attempt to control the mallet and steer the balls through the wickets.

Tun: What do you think?

Arch: Kempt has gone for Bartleby and Amble.

Tun: What do you think?

Arch: They’ll all three be back here soon enough.

Tun: What do you think?

Arch: I think what’s the point of power when it doesn’t do anything?

Tun: So then?

Arch: But so many men of action would best serve the world by refraining from acting.

Tun: And we?

Arch: What is wisdom? Where is the revolving heart in mind that catches the piston and drives the train?

Tun: The good is also a joint enterprise.

Arch: But what’s the difference? How to together help rather than hurt? Knowingly.

Tun: And where to begin? How can we guide the whole towards wisdom when we ourselves are
only middling wise?

Arch: How can one who is only middling foolish drive the whole towards great folly?

Tun: Yes, we need that trick, but in reverse.

Arch: Ah Bartleby, ah humanity!

Tun: Ah Ambegris, ah eternity!
I mean: a child’s moment lasts forever
And so do even mortal siblings share
Time as endless as a God’s

Arch: In the thick of things —
those twisted roots
Of life and love
Where mayflies buzz
And bare feet bend
Green summer grasses:
There we’ll seek It,
That Light that leads
With no push nor pull
That Light that Knows

Tun: The trouble with us immortals
And I’ve said this before!
Is that we’re too blessed and eternal
To worry about humans
And their shortlived lives.

Arch: Back to the drawing board!
A thousand years of discipline
A few hundred of backsliding
And then the discipline
And then the give-up
We can’t keep this up.
But oh of course we can.
And yet I’d rather help
It’s less lonely that way

Tun: But how to help
With eyes open and forward
As the circumstances
Roll and writhe live wire
On all sides?

Arch: Gods are powerful
And powerful quick
But only the God is wise
Only the God Knows.

Tun: Still, that’s no excuse.
For we all know enough
To know that wisdom
Is honest, clear, calm, gentle, kind.

Arch: Though I speak with the tongues of men and of angels, and have not love, I am become as sounding brass, or a tinkling cymbal.
And though I have the gift of prophecy, and understand all mysteries, and all knowledge; and though I have all faith, so that I could remove mountains, and have not love, I am nothing.
And though I bestow all my goods to feed the poor, and though I give my body to be burned, and have not love, it profiteth me nothing.
Love suffereth long, and is kind; love envieth not; love vaunteth not itself, is not puffed up,
Doth not behave itself unseemly, seeketh not her own, is not easily provoked, thinketh no evil;
Rejoiceth not in iniquity, but rejoiceth in the truth;
Beareth all things, believeth all things, hopeth all things, endureth all things.
Love never faileth: but whether there be prophecies, they shall fail; whether there be tongues, they shall cease; whether there be knowledge, it shall vanish away.
For we know in part, and we prophesy in part.
But when that which is perfect is come, then that which is in part shall be done away.
When I was a child, I spake as a child, I understood as a child, I thought as a child: but when I became a man, I put away childish things.
For now we see through a glass, darkly; but then face to face: now I know in part; but then shall I know even as also I am known.
And now abideth faith, hope, love, these three; but the greatest of these is love.
Tun: Yes, let us return to the struggle, to the tension of living in and through and for love and those disciplines—honesty, clarity, kind resolve, and joyful sharing—that keep a mind/heart and its actions in, through, and for love.
Arch: Mmmm. I suppose Kempt, Bartleby, and Amble will be along presently.
Tun: Let’s clean the presses. Perhaps we’ll yet find the words to right the world.
Arch: Worth a shot.
Tun: Yes, hearts up!
Arch: Into the fray!
Tun: The toads completed the game long ago.
Arch: Who won?
Tun: No one wins when all the wickets and posts are knocked over and two or three of the players have to be rescued from forgotten mallets strewn at random over the lawn.
Arch: Oh, so I win! Because I won last time and the advantage belongs to the reigning champ.
Tun: Hmmm.

Of that which was not authored by Herman Melville or Paul The Apostle (nee Saul of Tarsus):
Author: Bartleby Willard
Editor: Ambergris Whistletown
Copyright: Andrew Watson

Ch 12: I want to know you (Amble)

Ch 12: I want to know you (Amble)

I want to know you.
However long it takes,
Whatever’s required
for one mind heart soul
to know another’s
mind heart soul
and back again
over and over
kneading knitting
weaving melding
two into one
mind heart soul.
I want to know
and be known by
you.
I love you.

Author: AW
Editor: BW
Copyright: AWM

Ch 10: They Cannot Stop the Evil (Amble)

Ch 10: They Cannot Stop the Evil (Amble)

Chapters of Diary of an Adamant Seducer

ROMEO.
[To Juliet.] If I profane with my unworthiest hand
This holy shrine, the gentle sin is this,
My lips, two blushing pilgrims, ready stand
To smooth that rough touch with a tender kiss.

JULIET.
Good pilgrim, you do wrong your hand too much,
Which mannerly devotion shows in this;
For saints have hands that pilgrims’ hands do touch,
And palm to palm is holy palmers’ kiss.

ROMEO.
Have not saints lips, and holy palmers too?

JULIET.
Ay, pilgrim, lips that they must use in prayer.

ROMEO.
O, then, dear saint, let lips do what hands do:
They pray, grant thou, lest faith turn to despair.

JULIET.
Saints do not move, though grant for prayers’ sake.

ROMEO.
Then move not while my prayer’s effect I take.
Thus from my lips, by thine my sin is purg’d.
[Kissing her.]

JULIET.
Then have my lips the sin that they have took.

ROMEO.
Sin from my lips? O trespass sweetly urg’d!
Give me my sin again.

JULIET.
You kiss by the book.

NURSE.
Madam, your mother craves a word with you.

ROMEO.
What is her mother?

NURSE.
Marry, bachelor,
Her mother is the lady of the house,
And a good lady, and a wise and virtuous.
I nurs’d her daughter that you talk’d withal.
I tell you, he that can lay hold of her
Shall have the chinks.

ROMEO.
Is she a Capulet?
O dear account! My life is my foe’s debt.

BENVOLIO.
Away, be gone; the sport is at the best.

ROMEO.
Ay, so I fear; the more is my unrest.

[Exeunt all but Juliet and Nurse.]

JULIET.
Come hither, Nurse. What is yond gentleman?

NURSE.
The son and heir of old Tiberio.

JYLIET.
What’s he that now is going out of door?

NURSE.
Marry, that I think be young Petruchio.

JULIET.
What’s he that follows here, that would not dance?

NURSE.
I know not.

JULIET.
Go ask his name. If he be married,
My grave is like to be my wedding bed.

NURSE.
His name is Romeo, and a Montague,
The only son of your great enemy.

JULIET.
My only love sprung from my only hate!
Too early seen unknown, and known too late!
Prodigious birth of love it is to me,
That I must love a loathed enemy.

NURSE.
What’s this? What’s this?

JULIET.
A rhyme I learn’d even now
Of one I danc’d withal.

[One calls within, ‘Juliet’.]

NURSE.
Anon, anon!
Come let’s away, the strangers all are gone.

….

JULIET.
But to be frank and give it thee again.
And yet I wish but for the thing I have;
My bounty is as boundless as the sea,
My love as deep; the more I give to thee,
The more I have, for both are infinite.
I hear some noise within. Dear love, adieu.

[Nurse calls within.]

Anon, good Nurse! — Sweet Montague be true.
Stay but a little, I will come again.

[Exit.]

ROMEO.
O blessed, blessed night. I am afeard,
Being in night, all this is but a dream,
Too flattering sweet to be substantial.

Enter Juliet above.

JULIET.
Three words, dear Romeo, and good night indeed.
If that thy bent of love be honourable,
Thy purpose marriage, send me word tomorrow,
By one that I’ll procure to come to thee,
Where and what time thou wilt perform the rite,
And all my fortunes at thy foot I’ll lay
And follow thee my lord throughout the world.

Ah, dear Juliet,
Why art thou yet so fair? Shall I believe
That unsubstantial death is amorous;
And that the lean abhorred monster keeps
Thee here in dark to be his paramour?
For fear of that I still will stay with thee,
And never from this palace of dim night
Depart again. Here, here will I remain
With worms that are thy chambermaids. O, here
Will I set up my everlasting rest;
And shake the yoke of inauspicious stars
From this world-wearied flesh. Eyes, look your last.
Arms, take your last embrace! And, lips, O you
The doors of breath, seal with a righteous kiss
A dateless bargain to engrossing death.
Come, bitter conduct, come, unsavoury guide.
Thou desperate pilot, now at once run on
The dashing rocks thy sea-sick weary bark.
Here’s to my love! [Drinks.] O true apothecary!
Thy drugs are quick. Thus with a kiss I die.

JULIET.
O comfortable Friar, where is my lord?
I do remember well where I should be,
And there I am. Where is my Romeo?

[Noise within.]

FRIAR LAWRENCE.
I hear some noise. Lady, come from that nest
Of death, contagion, and unnatural sleep.
A greater power than we can contradict
Hath thwarted our intents. Come, come away.
Thy husband in thy bosom there lies dead;
And Paris too. Come, I’ll dispose of thee
Among a sisterhood of holy nuns.
Stay not to question, for the watch is coming.
Come, go, good Juliet. I dare no longer stay.

JULIET.
Go, get thee hence, for I will not away.

[Exit Friar Lawrence.]

What’s here? A cup clos’d in my true love’s hand?
Poison, I see, hath been his timeless end.
O churl. Drink all, and left no friendly drop
To help me after? I will kiss thy lips.
Haply some poison yet doth hang on them,
To make me die with a restorative.

[Kisses him.]

Thy lips are warm!

FIRST WATCH.
[Within.] Lead, boy. Which way?

JULIET.

Yea, noise? Then I’ll be brief. O happy dagger.

[Snatching Romeo’s dagger.]

This is thy sheath.
[stabs herself]
There rest, and let me die.

Amble Whistletown.

I find him in Verona, amongst the graveyard’s ashen-faced time-torn tombstones, where ghosts of Fate-shattered lovers charge at each other again and howling again, seeking in vain that union that alone to bodies corporeal belongs.

Amble Whistletown, a flask of medicinally-strong hibiscus, rosehips, peppermint and spearmint tea open atop the flat of an outstretched palm. Amble Whistletown, his neck and head leaned against a white marble headstone, inscription worn off and tilted by the shifting earth some 43 degrees away from its original perpendicular. Amble Whistletown, sprawled over the thick, long, sharp-edged but body-soft dew-damp grasses. Amble Whistletown, ten feet above the bones of a long-dead idea.

I find him in Verona, alone as always, blinking in the clear springtime morning light. The sloshing pitter-patter of the gentle Adige trickling through his ears, running over the rustle of the cemetery wood and the hop-hop chirp-cheep of a nearby bird.

“I”, he begins, drunk from the swirling melange of tartly sweet hibiscus/rosehips and astringently expansive peppermint/spearmint and the bone-exhaustion of always always always and always alone.

“I can’t stop the evil in myself or in the world. I can’t stop the evil in my life or in my land. I can’t stop the evil because I just want to escape all good and evil, everything that isn’t my wife’s fire burning next to mine, everything that isn’t her love and our security, everything that isn’t animal thriving and beastly safety. Where is my wife? Where is my heart? Where can I learn to be myself? And this world, this world I forsake for the sake of the slaking of a thirst too long untended. So cruel am I, as cruel as the rest, and so you get what we have here, which is a failure to share those very purposes which we in truth and in our depths do all share. But take me down, sink me beneath this rusty grave, wed me again to the love I would’ve lost had I ever loved, tie me forever into those bones that would had squished her flesh against mine, let me confess myself nothing but a little lonely beaten boy.”

Author: Mostly Shakespeare, but at the end Bartleby Willard
Editor of that portion: Amble Whistletown
Copyright of that portion: AM Watson
God of it all: ah, ah, where?, where?

Chapters of Diary of an Adamant Seducer

Ch 9: They Cannot Stop the Evil (Bartleby)

Ch 9: They Cannot Stop the Evil (Bartleby)

Chapters of Diary of an Adamant Seducer

“Fly hence, deluding Dream! and light as air,
To Agamemnon’s ample tent repair.
Bid him in arms draw forth the embattled train,
Lead all his Grecians to the dusty plain.
Declare, e’en now ’tis given him to destroy
The lofty towers of wide-extended Troy.
For now no more the gods with fate contend,
At Juno’s suit the heavenly factions end.
Destruction hangs o’er yon devoted wall,
And nodding Ilion waits the impending fall.”

Now shield with shield, with helmet helmet closed,
To armour armour, lance to lance opposed,
Host against host with shadowy squadrons drew,
The sounding darts in iron tempests flew,
Victors and vanquish’d join’d promiscuous cries,
And shrilling shouts and dying groans arise;
With streaming blood the slippery fields are dyed,
And slaughter’d heroes swell the dreadful tide.

“… Patroclus dead, Achilles hates to live.
Let me revenge it on proud Hector’s heart,
Let his last spirit smoke upon my dart;
On these conditions will I breathe: till then,
I blush to walk among the race of men.”

Such war the immortals wage; such horrors rend
The world’s vast concave, when the gods contend.
First silver-shafted Phoebus took the plain
Against blue Neptune, monarch of the main.
The god of arms his giant bulk display’d,
Opposed to Pallas, war’s triumphant maid.
Against Latona march’d the son of May.
The quiver’d Dian, sister of the day,
(Her golden arrows sounding at her side,)
Saturnia, majesty of heaven, defied.
With fiery Vulcan last in battle stands
The sacred flood that rolls on golden sands;
Xanthus his name with those of heavenly birth,
But called Scamander by the sons of earth.
While thus the gods in various league engage,
Achilles glow’d with more than mortal rage:
Hector he sought; in search of Hector turn’d
His eyes around, for Hector only burn’d;
And burst like lightning through the ranks, and vow’d
To glut the god of battles with his blood.

….

Where’er he moved, the goddess shone before,
And bathed his brazen lance in hostile gore.
What mortal man Achilles can sustain?
The immortals guard him through the dreadful plain,
And suffer not his dart to fall in vain.

Hector beheld his javelin fall in vain,
Nor other lance, nor other hope remain;
He calls Deiphobus, demands a spear—
In vain, for no Deiphobus was there.
All comfortless he stands: then, with a sigh;

“’Tis so—Heaven wills it, and my hour is nigh!
I deem’d Deiphobus had heard my call,
But he secure lies guarded in the wall.
A god deceived me; Pallas, ’twas thy deed,
Death and black fate approach! ’tis I must bleed.
No refuge now, no succour from above,
Great Jove deserts me, and the son of Jove,
Propitious once, and kind! Then welcome fate!
’Tis true I perish, yet I perish great:
Yet in a mighty deed I shall expire,
Let future ages hear it, and admire!”
Fierce, at the word, his weighty sword he drew,

So shone the point of great Achilles’ spear.
In his right hand he waves the weapon round,
Eyes the whole man, and meditates the wound;
But the rich mail Patroclus lately wore
Securely cased the warrior’s body o’er.
One space at length he spies, to let in fate,
Where ’twixt the neck and throat the jointed plate
Gave entrance: through that penetrable part
Furious he drove the well-directed dart:
Nor pierced the windpipe yet, nor took the power
Of speech, unhappy! from thy dying hour.

Prone on the field the bleeding warrior lies,
While, thus triumphing, stern Achilles cries:
“At last is Hector stretch’d upon the plain,
Who fear’d no vengeance for Patroclus slain:
Then, prince! you should have fear’d, what now you feel;
Achilles absent was Achilles still:
Yet a short space the great avenger stayed,
Then low in dust thy strength and glory laid.
Peaceful he sleeps, with all our rites adorn’d,
For ever honour’d, and for ever mourn’d:
While cast to all the rage of hostile power,
Thee birds shall mangle, and the gods devour.”

Then Hector, fainting at the approach of death:

“By thy own soul! by those who gave thee breath!
By all the sacred prevalence of prayer;
Ah, leave me not for Grecian dogs to tear!
The common rites of sepulture bestow,
To soothe a father’s and a mother’s woe:
Let their large gifts procure an urn at least,
And Hector’s ashes in his country rest.”

“No, wretch accursed! relentless he replies;

Then thus the chief his dying accents drew:
“Thy rage, implacable! too well I knew:
The Furies that relentless breast have steel’d,
And cursed thee with a heart that cannot yield.
Yet think, a day will come, when fate’s decree
And angry gods shall wreak this wrong on thee;
Phoebus and Paris shall avenge my fate,
And stretch thee here before the Scaean gate.”
He ceased. The Fates suppress’d his labouring breath,
And his eyes stiffen’d at the hand of death;
To the dark realm the spirit wings its way,
(The manly body left a load of clay,)
And plaintive glides along the dreary coast,
A naked, wandering, melancholy ghost!

Achilles, musing as he roll’d his eyes
O’er the dead hero, thus unheard, replies:

“Die thou the first! When Jove and heaven ordain,
I follow thee” — He said, and stripp’d the slain.
Then forcing backward from the gaping wound
The reeking javelin, cast it on the ground.

These fix’d up high behind the rolling wain,
His graceful head was trail’d along the plain.
Proud on his car the insulting victor stood,
And bore aloft his arms, distilling blood.
He smites the steeds; the rapid chariot flies;
The sudden clouds of circling dust arise.
Now lost is all that formidable air;
The face divine, and long-descending hair,
Purple the ground, and streak the sable sand;
Deform’d, dishonour’d, in his native land,
Given to the rage of an insulting throng,
And, in his parents’ sight, now dragg’d along!

Bartleby, alone upon the sands of fatal Troy. Sitting with sand chafing between buttocks and underwear. Waiting, with the ocean curling to and from his pointed toes. Bartleby, musing. Bartleby, speaking:

“I cannot stop the Evil. The ranging, restless, pointless cruelty. I cannot stop the crime, though I watch it slowly stand, pull shoulders back, stretch arms up and back, yawn and smile tall and sleepy-eyed led cheerily towards the smell of coffee, in boxers only, ready for another leather-sofa filtered-water designer-shirts and climatized-air day.”

Bartleby hears the crash and din of a mangy tiny nothing war between a few scattered bundles of short, trim, scarce-bearded youths. Bartleby hears rambling poet roll and lift their meagre bones and empty offerings, hears the rounding rhythms and flowering phrases build from splashing mud puddles a raging foaming world-invading sea of warriors grand and gods involved and implicated, until the windy plains of high-towered wide-extended gods-defended Troy flow red with heroes’ blood and black with bound-Beauty’s sullen, heart-twisting idles.

“On the one flank: An election fairly won and duly closed. Betrayed, belittled, named a lie again and again until a lie’s the truth for minds that would rather lie in lies than stand and know, and also a lie for any who, through choice or circumstance, linger too long too near the lie-machine. And then, on the opposite, simultaneous flank, local laws of local lands perverted to silence those voters who’d voted for the winner of the fair, the clear, the standard, the two-hundred years of internal-peace national election. And how now these two flanks securely, and with bellies and brows sated on processed foodstuffs and prejudice-stoking pundits amble, stroll, and offer pious oh-so-public, oh-so-oil-daubed prayers as they close proudly, tragically, strong-for-the-people-y in on hundreds of years of struggling trust.

“An election won perhaps more by luck than the people’s wise intervention. But won nonetheless. An election won perhaps only because the by turns belying and bungling of an unprecedented plague exposed the uselessness of power-for-pridesomepower corruption to a degree and in a brightness that the many could not (though with faces still sternly slanting towards those troughs wherein they swill a rich and gooey well-powdered slop) help but notice. But won nonetheless. An election whose outcome stopped the consolidation of power by an enemy of democracy who had spent a huffy four years chaotically, incompetently and yet effectively (such are the advantages of the destroyer of order, dignity, and trust!) dismantling checks on his kingship.

“And a people so divided, so absorbed by the lint of their own bellybuttons, a people so tired of each other and their shared destiny.

“But these people that you love to blame. How wrong are they? How much was the would-be king’s initial victory owing to already weakened election regulations? These people that I cannot reach. The rabble on all sides of the grist mill which they both turn and fall beneath. These people so varied in their outlooks and their life patterns. These people just people like people have always been.

“What has rotted the system and culture of democracy that used to save them from themselves?

“And the game they win or lose is not just for themselves but for a world that feels its wallows and its rolls, a world that will perhaps with melting-flesh and scorched-earth know the rise and fall of this bulky, this steel-and-info, this nuke-and-dollar, this free-and-frolic, this faith-and-fantasy empire.

“It were better that democracy were preserved, that calmer heads prevailed, that democracy proved herself here in this giant sprawling mixed affair known here and there and far and near as America, that is to say, as The US, that is to say, where we’ve 300-million found ourselves with yet fingertips in itchy-reach of frayed but not-yet-spent ropes and strings to pull and steady our own destiny and thus to some extent that of this interwoven of entangled-yearnings world.

“But I’ve no answer to this doubling-down of political evil which the US American Republicans now unfurl as their official answer to losing the election that for the good of all humankind they should have lost and which by the grace of who-knows-what?-since-God-has-allowed-arguably-worse-things-to-happen they did indeed lose. For I have no great wisdom. Nor can I even desire great wisdom. The truth is, I want only that succor that a child finds in his mother and a man in his wife. Useless, useless am I in the face of Evil.

Useless am I, sore and o’er-useless against this human, this all-to-human, this salty, this sweaty, this happy-family, this friends-and-treasures-first, this ‘they’re-the-worst’, this moonlight dancing and starbright prancing Evil.”

Author: Bartleby Willard
Editor: Amble Whistletown
Copyright: Andrew Watson (I mean, obviously, the part from The Iliad was written by Homer and translated by Alexander Pope)

Chapters of Diary of an Adamant Seducer

Ch 16: They Can’t Help Us

Ch 16: They Can’t Help Us

Chapters of Diary of an Adamant Seducer

They can’t help us.

A few generations ago Europe debated
Whether the ends justify the means
Or not.

Does the great Good that our perfect system will soon deliver:
Does that make these gulags a Necessary Evil?
Or are they still just plain old Evil?

Now we don’t even bother with the pretense
Of grand ideas and sure-bets
Now its enough to just lie over and over again.

As it was soon enough enough there
in Stalin’s Russia, where the gulags
(That Sartre and Camus considered)
Did their work.

Why is this so?
We don’t actually yet live in a tyrannical state.
So why does the lie
That any free mind can catch and call out
Why does it work here and now?

And the lie will turn itself into a truth.
The lie and those actions that it enables
Will indeed make elections unfair.

If we don’t stand up to it
And the decisions it excuses and coddles.

And
The lie that the current government is hopelessly corrupt
Will enable a truly corrupt leadership to take over
And to melt our government systems down into some base metal
Which can be more easily molded into a blunt object.

(I’m thinking of Trump who did scream “drain the swamp” to get inside and then who corrupted the state from the inside, and then who lost a fair election, which he then called unfair, and who now stands proud as Republican state legislators twist the ballot laws away from universal suffrage towards their electoral advantages while in all self-important earnestness recounting his fairly lost election and repeating empty lies about stolen elections.

I’m thinking of how stupid it is to destroy democracy for your own power: the more the state becomes tyrannical, the more power becomes a terrifying and short-lived desperate lunge fueled by dishonesty, cruelty and the replacement of competence with thuggery. By undoing democracy, you undo your own ability to live well without owning everything; but you also inject chaos into the system, and so undermine your own ability to hold onto everything. It is folly, but not just folly: it is cruel, reckless, greedy, mean-spirited folly: it is evil.

You cannot serve both power and good government.

And if you serve any government but good government, you serve death to souls and hearts and minds — not to mention bodies; death to love and growth and joy, death to friendship competence and real life.)

Bartleby Willard and Amble Whistletown.
These two lonely and broken men,
The one completely fictional and the other scarcely real

These two lost boys and crushed hearts

They can’t
They can’t help us.

Before this crisis, they couldn’t take their own lonelinesses.
Now they can’t take anything at all

They can’t help us.

Why are they heroes in our story?
Don’t we need heroes who can help?

Kempt will come to rescue them

But he cannot restore the people’s commitment to or insight into the preservation of democracy, justice, and the rule of just, universal, and ultimately helpful, kind, and cooperative law. Kempt cannot get everyone to realize they already all agree on honesty, clarity, competence, kindness, gentle resolve and shared joy.

Why don’t they see that they are abandoning what they really care about and already share for fluff? What is going on?

Democracy works to the degree it speaks to and listens to and works with everyone. And representative democracy works to the degree the representatives speak to and listen to and work with all the people in the republic. The point of representative democracy is not crazy pool-shark pitter-patter about Freedom! and/or Empire! The point of representative democracy is to allow the people to effectively share power and thus act as a final check on madness and corruption in the state.

The point of representative democracy is that all human value-systems are based upon honesty, clarity, accuracy, competence, kindness, gentle resolve, and shared joy. And so we collectively agree to prioritize these goods, without which we none of us can be meaningful-to-ourselves. It is counterproductive and just plain mean stupid boring to sacrifice our shared values for anything.

The Mountain King, with his magic-secured harmonizing
Cannot help us, who’re stuck here in reality.

Thundration Whistletown and Archangelbert Skullvalley?
Well, they are very powerful.
And they exist beyond time and space.
And they have decided to once again put their shoulders to Sisyphus’s stone.
They have once again taken up the burden inherent within giv’in a hoot.

But they can’t guide the minds and hearts of the American people.
Nor do they control the lumbering mechanisms of our shared government.’
And look!
Already I see them juggling toads (the poor little buggers fat eyes bulge nervously forward as they spin gracefully, flippered feet centrificalized out, through the cool evening air). Already I see Arch and Tun juggling toads while arguing about who wins a game of toad-coached croquet when the toads knock down all the wickets and posts, get themselves trapped under mallets, and fail to particularly advance any of the balls in any meaningful way.
I fear they’re simply too blessed and too eternal to concern themselves with us mortals and our desperate struggles to eke out a little happiness and decency — that is to say: a little joy — in this earthy tumult.

There’s no hero in this story who can help us.

So why write the story?
Why read the story?
Time’s a wast’in

Author: BW
Editor: AW
Copyright: AMW

Chapters of Diary of an Adamant Seducer

Ch 11: They can’t stop the Evil

Ch 11: They can’t stop the Evil

Chapters of Diary of an Adamant Seducer

And so it is.
So it stands.

Bartleby Willard and Amble Whistletown
Are powerless against the Evil.

Because they just want what everyone just wants
To be held safe to bloom grow wild and free
To be allowed to be themselves unchecked and unhampered
To marry and in the marriage flourish
To mate in the mating meet

To live
No longer alone
But with her
Whatever that is

Which they neither
Of them
Can quite imagine

Having spent now
So many years
Wandering lonesome.

Meanwhile
The Evil promenades cheerfully along,
One hand firmly grasping the nation’s entrails.

Democracy has had its chance.
Now let’s have kings:
Cruel stagnating order spiced with bloody chaos!
Let’s let our hair down!

It’s always the same.

The naïve optimism and glory-hounding
Of young men in new uniforms
With shiny buttons
Off to teach those fools a lesson.
Be home in a fortnight!

And yet is not cynicism and give-up
One prong of Evil’s attack
On peaceable conference
And the rule of gentle justice?

Evil undoes the systems and rites
That make possible
Conversation
Fair debate
Together-won
and thereby
Together-shared
Resolve.

How?
What is Evil’s weapon?
Cynicism with the one hand
Triumphalism with the other

Give-up: There’s no hope for clear, open, honest, conscientious government
Give-over: Bow to our Glory and see yourself shine with our Strength

Whether Evil operate at the street-level
Or from the Governor’s Mansion,
It’s tactics are the same:
Consolidate power in hearts and minds

Living for power, wealth, prestige, self-satisfaction
And so making serving those false idols a prerequisite
For getting and maintaining power.

And on all sides whisper louder and louder,
With more and bolder violences

That there’s no point resisting corruption
That the wise thing to do is to join the Evil,
For the sake of the Good:
For the sake of your family, your friends
For the sake of those few safe places

Yet salvageable.

Oh wretched, oh self-fulfilling prophecy!
Oh twisted, oh self-defeating logic!

Author: BW
Editor: AW
Copyright: AMW
Hope: Honest, kind, vulnerable, gentle resolve
Hopelessness: tough guy dreams

Chapters of Diary of an Adamant Seducer

Ch 19 – Hello Amble!

Ch 19 – Hello Amble!

Chapters of Diary of an Adamant Seducer

Amble Whistletown is in Roma, the Eternal City. He is reclining against the headstone of John Keats, who’s buried there in the Protestant Cemetery. He never knew Keats, nor has he read that much of his poetry, nor has he thought very much about his poetry, nor is he an immediate family member, or a family member at all.

Amble Whistletown is trying to find himself. He’d thought he might be a writer or a poet or something like that, along the lines of Shakespeare. But he finds that instead of writing, he lounges against the headstones of long dead authors that he’s scarcely read and not particularly understood. Keats was like 24 when he died. How old is Amble anymore? Well, older than 24 — that’s for sure.

Amble Whistletown is wearing the light-brown and off-white checkered light-flanel button-up long-sleeved shirt that a friend once gave him. That was back when he had friends. Like some other men, he grew out of that phase. There was Bartleby for a while, of course. But then neither of them could take anything more and they fled the scene in the separate ships, heading in their separate random directions back towards stories that had lodged in their separate heads. Stories plucked apparently at random. Promises made to oneself, apparently well-intentioned.

Amble is reclining against a headstone. It’s not a very comfortable position, but it feels like home. He’s lying there with his neck bent by the cool morning stone. Stone long worn, not by useful use, but by pointless weather, raging first this way than that, for centuries, you know.

He sees far in the distance a multi-colored cigar travelling through the clear blue sky. It moves in a wobbly and slightly chaotic fashion, but it definitely seems to be jerking its way towards him. He doesn’t care. If it is a slow-moving and haphazardly-navigating torpedo sent to kill him, then he will make allowances for its incompetence; he will at least stay put and give it the benefit of the doubt; though he must admit that there’s a great deal of doubt in it’s awkward high school dance approach from the boys circle purposefully but then bashfully but then chest-lunging-forward purposefully and then head-hung and feet-crossed bashfully towards the girl cirle.

I don’t think he cares. In time he sees the wings flapping furious like a dragonfly’s but giant and less aerodynamically fit. In more time he sees that its some kind of crazy flying machine, manned by two in a cockpit built for three in a world where no one ever really knows anyone and the loneliness rots you out from the inside. You try to be a man, but for that you need a woman, and for that you need to be able to unglue yourself from weathered headstones and buzz-cut grass. And apparently that’s not even all you need, but how can he know any more than what he feels in his body and heart? Which is that he is alone and cannot share heartspace with anyone because of broken glass face and clockworks that is his chest belly gut bowels sex heart and mind.

“Amble!” cries Kempt, dismounting in a single leap the now resting mechano-magic dragonfly. Tim, the faery, who found Amble and enchanted their otherwise unairworthy craft, flutters over Kempts shoulder. The short, svelte, beautiful troll named Susan is at Kempt’s other shoulder. The advance is quick, chipper, energetic. Kempt had thrown on merry circle waive as he triumphed out “Amble!” and now he was practically dancing over towards the dejected one.

Amble sits slowly up so that his back is relatively flat against the slightly-backwards leaning tombstone of a great though short-lived English poet, whose bones still at least to some degree persist eight or ten feet down below the sun-lit grass.

“Oh, hi, Kempt. I didn’t expect you here. I’ve been … “

“I’ve been worried about you! I went to the Hall of the Mountain King and inquired after you!”

“Oh, yeah, that’s a nice kingdom. Super enchanted. Nice creatures. Not very real, but that probably makes it easier to be nice.”

“Hi Amble, I love your work!” Susan smiled, as the trio neared the fallen hero.

“Really?! You must have me confused with someone else. But I think you’re the most beautiful woman I’ve ever seen, so we can get married, if you want.”

“Hi Amble! I’m Timothy! I’m making it possible for us all to share a dream in the way that people can normally only — admittedly generally not very completely or satisfactorily — can share the physical reality.”

“Oh, so I can only marry Susan in my dreams? Typical.”

Kempt squats down like a catcher and steadies himself with his fingers on the spiky dew-damp grass and the soft loamy earth. He looks into Amble’s glazey gaze. “We gotta get you back to the SAW Building! We have to find Bartleby! We have to pull Tun and Arch away from clubbing golf balls to the moon and bragging in cheap salons over centuries-gone publishing triumphs! We have to make meaningful art and thought again!”

Amble looks past Kempt and squints into the brightening sky. “Oh? Why? I just want to marry Susan and have a nice quiet life, but not in dreams, in a real way with real hugs and a family and we create a safe space to be our full selves and not just in dreams but really so, in life!”

Author: Bartleby Willard
Editor: Amble Whistletown
Copyright: Andy Watson

Chapters of Diary of an Adamant Seducer

Ch. 8 – In the hall of the mountain king

Ch. 8 – In the hall of the mountain king

Chapters of Diary of an Adamant Seducer

Kempt has been kept waiting.

The Mountain King is shouting at a pair of fauns. The male faun has his arm around his partner and her hand on her pregnant belly. They both look up in drop-jawed horror as the Mountain King — no taller than themselves and with the potbellied musculature and round balding head of a hairier, more bulbous-nosed and less subtley-ironic Socrates — stands upon the foot-worn footrest of his throne (carved out of mountain oak and shiny from years of oily- & salty-skinned reclining, slouching, tossing and turning, thumping and slapping, and general overuse) and hurls nearly-incoherent insults (something about half-witted abortions of curdled goat’s milk and feeble-winded shit-streaked reed-pipings) down from on high.

No one knows what’s raised the Mountain King’s ire, and no one dares ask. The Mountain King’s Hall is a small grassy depression atop a great mountain. Besides his majesty’s throne, small wind-tortured bristle pines and cold gray boulders are the only furniture. A mountain dragon, approximately a thousand times bigger than the king and the two fauns combined, shifts uneasily on his scaly haunches. A mountain minotaur, also more than capable of barehandedly dismembering the trio, adjusts his uncomfortable seat upon a granite boulder that glints in the sun and grates his shaggy mountain-ox rear. His shovel-sized sharp-clawed hands nervously roll and unroll a parchment petition that he’s been waiting to discuss with this far-reaching, fair-leveling mind, this great leader of all the mountain folk. A giant mountain toad — warty, bulge-eyed, over three feet long and perhaps a hundred pounds, sinks down into the long sharp grasses, his elastic belly spreading out as he seeks to disappear into the earth. Kempt, who is farther back in the hall, leans against a scraggly pine, which wiggles a little at the sudden weight, but which, taking its cue from the general atmosphere of the Hall, refrains from saying, “Hey! This is my spot! I staked this out over five hundred years ago! It’s not my fault you spend your life drifting aimless from one locale to the other, never satisfied with where you are, who you are, what you’ve found, what you’re given!”

In time the king calms down and rather absentmindedly leans back into his wooden throne. “So restore the goblin to her normal form and going forward please bring all such concerns to this court BEFORE taking any kind of retaliatory measures. And in the wide-spreading light of the ever-dawning future, let’s refrain from casting spells on other woodland creatures, particularly other faeries. We really don’t want another of those enchantment arms races that caused so much chaos in days of yore.”

“Yes of course, your majesty, thank you your grace, but there’s still the matter of … “ and here, head and horns bowed, the manly faun widened the small velvety fingers clutching his wife’s round tummy. The king raises an impatient palm: “I command any faeries present to step forward immediately!”

Because, you see, though fauns are themselves faeries, they cannot undo all enchantments, and are especially hampered when a spell has been cast specifically against themselves.

And so lined up, unhappily, and blinking all of them from side to side like they’d been prodded up into a police line-up, a unicorn, two gnomes, and a goblin, while a couple woodland sprites flew up — heads bowed, on bashful, backward-yearning butterfly-wings.

“Which of you can uncurse the faun’s unborn child? Tell me true! Over- or under-describing your powers I hereby declare a capital offense!”

Why even say that? Everybody knows that the ones that kings and queens of magic are the sprites, and that all the other magic beasts are only even allowed to perform their wizardry because the sprites are an easygoing and non-confrontational lot.

With wriggles of their dainty noses (noses that, were it not for the sparks given off as they wriggled, would in this overcast Mountain Hall not even be visible to the eyes of most mountain folk) the sprite’s ensured that the faun’s child would be a happy, healthy, and lucky creature. The fauns tried to embrace the sprites but of course missed and tumbled into each other, laughing and rolling together in delight upon the soft springy darkgreen grass. The mountain king guffawed, slaked his thirst upon his pinewood chalice, and bade the mountain dragon tell him the news from his many other peaks, peaks that he is seriously considering visiting himself in person, and please tell the inhabitants of those crags that if and when his majesty inspects their domains, he expects order, discipline, and gentle kind resolve from all his subjects at all times or else!

Author: BW
Editor: AW
Copyright: AM Watson

Chapters of Diary of an Adamant Seducer

original introduction

original introduction

Introduction

This is what we’re up to now. I can’t say much more at the moment. It isn’t how I envisioned it. I spend a little time each day in a wind tunnel, talking into the fat swirling air. I’d thought being an author would be different. I’d thought it would connect me to myself and to others and the back and forth echoing would grow my wise strength and theirs. But so far I just look over the smooth black basalt cliffs, sometimes accidentally knocking loose a handful of pebbles. They fall down and jar against loose rectangle-cut chunks. I hear them bumping and clamoring down the soft, tender, delicate,–why, almost chalky!–,uneven sides. But apparently the down-below’s so far down below that I can’t hear what becomes of the stones I loose. I hope no one is down there. The whole thing is terrible. Very discouraging. Prometheus in chains for I know not why. No one to talk to. Nothing to do.

I thought I’d do this project to stand up straight inside myself before it is too late and the armadillo inside me succeeded in curling me up into a tight little ball. That balling-up instinct is often the salvation of these strange, hairy, leather-plated, rodent-faced little marsupials (scientifically speaking these animals are mammals, but the feel more like marsupials, so their poetic classification is “marsupial”), but for a human soul it is purgatory–at best, purgatory at best. Walled around yourself, shielding yourself like you tried to do when:

I remember that now. Suddenly the fear would grip you and you had to get a blanket and put it around your back and lie on the floor–somehow there’d be a blanket within reach (no wonder! the room lacked rigor, it was–quite frankly–strewn all over itself), so you grabbed the mutli-blue patch-cotton blanket and lay paralyzed with fear and dread, hopelessly defending yourself with a few square yards of cloth. Of course, as there was no threat, a blanket was more than sufficient and the act a display of the most shameful cowardice. How glad I am to not be the wimp in this tale, but merely the distant chronicler, who–thoughtful eyed (rolling up and over the wide-opened eyelids and accompanied by a slight cocking of the head and a wide, squished “let’s carry on as best we can, shall we?” grimace)–can only wish the pathetic hero and his loser readership all the best–all the best in the world to all of you! God help ye!, all the best to ye!

But so anyway, as you may or may not know, I’m selling Pure Love. I buy it in cheap bundles from pleasant peasantries who work long cheery hours in mud, dirt, sand, or dried mud–depending on the climate and season. Barefoot and straight-teethed, they laugh and chat in sporty bright-colored T-shirts fabricated in slightly richer economic regions by sadder sorrier more bone-tired poor folk, bounced through a first world lust-buy-use-discard cycle, and finally landing on their innocent, hard-working, sundrenched backs (obviously, “sundrenched” is climate specific and doesn’t describe all my suppliers; but then again T-shirts as terminal-shirts already suggests warm weather, so clearly the author–right or wrong, right or wrong, nothing to see, move along–chose to here leave the general case for the particular, to swap intellectual clarity for experiential nearness). For these computer-free folk life is a joy. Considering a heart swelling with happy love normal, they seriously underestimate the value of their love; so I–conscientious capitalist that I am–swoop in from the big, polluted, fire-breathing city to buy Pure Love at rock bottom prices.

Just kidding. And please forgive my enlistment of the Noble Savage mythology. Although, there does sometimes seem to be something to certain types of simpler lifestyles–unless I completely mistake the evidence, which I’ve scarcely perused.

No, what I actually do is make Pure Love atom by atom in great Pure Love fusion towers. Of course, an atom of Pure Love is itself Pure Love, and pushing one atom of Pure Love into another may or may not make an infinite explosion of Pure Love, but even if it does, Pure Love is already an infinite radiation, so really nothing’s gained. Unless!: the explosion allows Pure Love to be better felt by human observers just as a nuclear bomb allows humans to better feel how much energy is stored inside of a few atoms.

But that science is all weird and distorted. I must be joking! I must be kidding.

So how do I procure the Pure Love that I sell?

People, let’s admit it: Pure Love is already there everywhere, or we’re all so lost we can’t even coherently say “Pure Love is not already there everywhere” (for without Pure Love already there everywhere, what meaning is left to our longing for clarity, happiness, and goodness?; and without a meaning to that longing, what do any of our feelings or ideas really mean–I mean to us, to us humanfolk). Some say that we humans are but stardust. Some say we’re the playthings of the gods and/or the fodder of the mindless earthen munch-munch. Some say we’re the special allies of the one God–or at least we ought to be. Some say we’re neither being nor nonbeing. All those talkers’ talk poetic; but some poems are truer than others: some poems estimate what is prior to ideas and feelings (a deep, wide “sense of things”) into words better than others. For me, I like and believe in the poem that says Pure Love is all there is and Pure Love is bleeding through everything, claiming everything for Itself. Do I know it’s true? Mmm. I know it more fundamentally than any emotional or intellectual reason to doubt it (what is the point of bothering with either skeptical or dogmatic thoughts if truth and goodness don’t for sure matter?).

Enough–you know who I am: Bartleby Willard, the lonely fool who refuses to leave Wandering Albatross Press, and who, together with Andy Watson, writes labyrinthine odes to the great Something Deeper, the Great God that creates, sustains, and shines through everything–the Formlessness within which all forms inhere. I am also the author of two books currently evolving on From-Bartleby.com: “Love at a Reasonable Price” and “Diary of an Adamant Seducer”. The former is tales mostly about fictional characters buying and selling Pure Love. The latter is this book that I am here introducing: a history in real time of Wandering Albatross Press.

I am selling you Pure Love as best I can. Forgive me where my poetry slips and betrays my stated purpose. Help me to push against such evils; pray all day long for me and you and the rest of us; and for the wisdom to create and understand poetry in a way that brings us closer and closer to the True Good, the Godlight, the Way. Our time is short, but our reach is long; we are human beings, the ones who keep on coming.

Bartleby Willard,
Somewhere across the Seven Seas
Cooling Down and Nigh to Closing Out 2015

Witnessed by his editor, Andy Watson